2.5 Concept and Principles of Yogasana and Pranayama (Syllabus 1.11–1.12)
Key Takeaways
Patanjali defines Asana as a steady and comfortable posture (Sthira-sukham asanam, PYS 2.46), perfected by relaxing effort and absorbing the mind in the infinite (PYS 2.47).
Hatha Yoga Pradipika 1.17 makes Asana the first limb of Hatha Yoga because it gives steadiness (Sthairya), health (Arogya) and lightness of limbs (Anga-laghava).
Indian courses classify Asanas by purpose as meditative, cultural and relaxative, and by position as standing, sitting, prone, supine and inverted.
Pranayama is the regulation of the movement of inhalation and exhalation once posture is mastered (PYS 2.49); Patanjali names external, internal and stationary types plus a fourth beyond both (PYS 2.50–51).
Its two Sutra-stated fruits are the thinning of the veil over inner light (PYS 2.52) and fitness of the mind for concentration (PYS 2.53).
Concept and Principles of Yogasana and Pranayama
Quick Answer: Syllabus topics 1.11 and 1.12 ask for the concept of Yogasana and Pranayama—meaning, definitions, types and their place in Yoga Sadhana—not only technique. Patanjali defines Asana as a posture that is steady and comfortable (Sthira-sukham asanam, PYS 2.46), and the Hatha Yoga Pradipika makes it the first limb of Hatha Yoga because it gives steadiness, health and lightness (HYP 1.17). Pranayama is the regulation of the movement of breath once posture is mastered (PYS 2.49); its classical types range from Patanjali's four varieties to the eight Kumbhakas of the Hatha Yoga Pradipika.
Part I: Concept and Principles of Yogasana (Syllabus 1.11)
Meaning
Asana comes from the root As, "to sit, to remain". Its first meaning is a seat—both the thing one sits on (the Kusha, deerskin and cloth of Bhagavad Gita 6.11) and the way one sits. In Hatha Yoga the word widened to cover the whole family of bodily postures.
Classical definitions
| Source | Statement | What it emphasizes |
|---|---|---|
| PYS 2.46 | Sthira-sukham asanam — posture is steady and comfortable | The quality of a posture, not its shape |
| PYS 2.47 | Perfected by relaxing effort (Prayatna-shaithilya) and absorption in the infinite (Ananta-samapatti) | The method |
| PYS 2.48 | Tato dvandvanabhighatah — then the pairs of opposites no longer disturb | The fruit |
| HYP 1.17 | Asana, the first limb of Hatha Yoga, brings steadiness, health and lightness of limbs (Sthairyam arogyam changa-laghavam) | Why Asana comes first |
| GS 2.1–2 | Shiva taught as many Asanas as there are species (84 lakh); 84 are best, and 32 are useful in the world of mortals | The range of postures |
Types of Asana
Teachers classify Asanas in two complementary ways.
By purpose (a classification widely used in Indian courses; Swami Kuvalayananda distinguished meditative from cultural postures):
- Meditative postures (Dhyanasanas) — Padmasana, Siddhasana, Swastikasana, Vajrasana, Sukhasana. A stable triangular base keeps the spine erect for long sittings in Pranayama and Dhyana.
- Cultural or health-promoting postures — the bends, twists, balances and inversions that tone the spine, viscera and muscles (Bhujangasana, Paschimottanasana, Ardha Matsyendrasana, Vrikshasana).
- Relaxative postures (Vishranti Asanas) — Shavasana, Makarasana and similar resting positions, used to release fatigue between and after practices.
By body position: standing, sitting, prone, supine, and inverted or balancing postures. The YWI practical list (items 5.1–5.12) is arranged in this way.
Principles of practice
- Steadiness with ease (PYS 2.46): hold a posture only as long as the breath stays smooth.
- Relaxation of effort (PYS 2.47): use the minimum muscular work the posture needs.
- Breath coordination: inhale with expansion and backward bending; exhale with forward bending, twisting and abdominal compression.
- Awareness of the body, breath and sensations rather than of appearance.
- Gradual progression and counter-posture (a forward bend after a backbend).
- Empty stomach, a clean and airy place, and a closing rest in Shavasana.
Significance in Yoga Sadhana
Asana prepares the body for the higher limbs. A seat that is steady lets Pranayama begin—PYS 2.49 opens with Tasmin sati, "when that is achieved"—and a body free of restlessness lets the mind turn inward. HYP 1.17 puts Asana first because health and steadiness come first. Asanas differ from ordinary exercise in being slow, breath-led and inwardly attentive, which is why they leave the practitioner calm rather than tired.
Part II: Concept and Principles of Pranayama (Syllabus 1.12)
Meaning
Pranayama joins Prana—the vital force, carried most obviously by the breath—with either Ayama (extension, expansion) or Yama (control, restraint). Both readings are taught: Pranayama both lengthens and regulates the breath.
Classical definitions
- PYS 2.49: Tasmin sati shvasa-prashvasayor gati-vichchhedah pranayamah — when posture is mastered, Pranayama is the regulation (pause) of the movement of inhalation and exhalation.
- PYS 2.50–51: the breath is regulated as external, internal or stationary retention, measured by place, time and number, and becomes long and subtle; a fourth kind goes beyond both external and internal.
- HYP 2.2: Chale vate chalam chittam — when the breath moves, the mind moves; when the breath is still, the mind is still.
- HYP 2.3: as long as the breath remains in the body there is life, and death is its departure; therefore the breath should be restrained.
Phases and types
| Classification | Types |
|---|---|
| Phases of one breath | Puraka (inhalation), Rechaka (exhalation), Kumbhaka (retention) |
| Patanjali (PYS 2.50–51) | Bahya (external), Abhyantara (internal), Stambha (stationary), and the fourth (Chaturtha), beyond both |
| Kind of retention | Sahita (with deliberate inhalation or exhalation) and Kevala (spontaneous) |
| HYP 2.44 (eight Kumbhakas) | Suryabhedana, Ujjayi, Sitkari, Shitali, Bhastrika, Bhramari, Murchha, Plavini |
| GS 5.46 (eight Kumbhakas) | Sahita, Suryabhedana, Ujjayi, Shitali, Bhastrika, Bhramari, Murchha, Kevali |
| By effect (modern teaching) | Balancing (Nadi Shodhana), cooling (Sheetali, Sitkari), heating (Suryabhedana, Bhastrika), calming (Bhramari, Ujjayi) |
Principles of practice
- Prepare with Asana and, where needed, cleansing (HYP 2.21).
- Gradual progress: HYP 2.15 compares the breath to a lion, elephant or tiger that is tamed slowly; HYP 2.16–17 warns that wrong practice causes disease—hiccup, asthma, cough, and pain in the head, ears and eyes.
- Breathe through the nose (except in the cooling practices), smoothly and silently, without strain.
- Begin with equal inhalation and exhalation, then lengthen the exhalation (1:2) before any retention is added under a teacher.
- Practise on an empty stomach, in a steady seat with the spine erect.
- At YWI level the syllabus Pranayamas are taught without Kumbhaka.
Significance in Yoga Sadhana
Patanjali names two fruits: the veil over the inner light thins (PYS 2.52) and the mind becomes fit for concentration (PYS 2.53). HYP 2.2 explains why: steadying the breath steadies the mind. Pranayama is therefore the bridge between the body-based limb (Asana) and the mind-based limbs (Pratyahara to Samadhi).
Which definition of Asana does Patanjali give in Yoga Sutra 2.46?
A posture that is steady and comfortable (Sthira-sukham asanam)
Any of the 84 lakh postures taught by Shiva
A posture that brings steadiness, health and lightness of limbs
A posture held motionless for at least three hours
Why does Hatha Yoga Pradipika 1.17 place Asana first among the limbs of Hatha Yoga?
Because it awakens Kundalini directly, so that Pranayama and Mudra become unnecessary
Because it gives steadiness (Sthairya), health (Arogya) and lightness of limbs (Anga-laghava)
Because, once mastered, it replaces the need for Yama, Niyama and the other limbs
Because it is the only limb that beginners may learn before receiving initiation from a Guru
Which list gives the types of Pranayama described by Patanjali in Yoga Sutras 2.50–51?
Suryabhedana, Ujjayi, Sitkari and Shitali, the first four of the Hatha Yoga Kumbhakas
Puraka, Rechaka, Kumbhaka and Shunyaka, the four parts counted in a single breath
External, internal and stationary, plus a fourth beyond both
Sahita and Kevala, each subdivided into Sagarbha and Nirgarbha forms
In the purpose-based classification used in Indian Yoga courses, how are Padmasana, Bhujangasana and Shavasana classified, in that order?
Cultural, relaxative and meditative
Relaxative, meditative and cultural
Meditative, relaxative and cultural
Meditative, cultural and relaxative
Sections you finish are checked off in the contents.