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Free Practice Questions for LC Music

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Key Facts: LC Music Exam

3 activities

Performing, Composing and Listening are each 25% of Leaving Certificate Music

NCCA Leaving Certificate Music Syllabus

50%

One activity can reach 50% via Ordinary Level choice or Higher Level elective

NCCA Leaving Certificate Music Syllabus

4 works

Four prescribed works alternate in Group A / Group B three-year cycles

NCCA syllabus Appendix F / SEC prescribed material notices

Group B

2026–2028 set works include Mozart K.488, Berlioz Symphonie Fantastique II & IV, Deane Seachanges, Beatles Sgt. Pepper

SEC / Oide prescribed works guidance

~90 min

Listening and composing papers are each commonly about 90 minutes

SEC examination practice / school guidance materials

HL elective

Higher Level elective performing programmes are longer (session up to about 25 minutes including unprepared test)

SEC Leaving Certificate Music information notes

Tech edits

Music technology requires multi-part score input and multiple different audible edits

SEC Music information notes (Technology examination format)

100

Free original MCQs here for concept knowledge only — not a practical or aural substitute

OpenExamPrep

Leaving Certificate Music is assessed through Performing, Composing and Listening (25% each) plus a 25% elective so one activity can reach 50%. Components include a practical exam, a listening paper (set works, Irish music, aural skills) and a composing paper (melody and harmony). This 100-question bank is original MCQ concept practice only — not a substitute for practical, aural or composition assessment.

Sample LC Music Practice Questions

Try these sample questions to review concepts for the LC Music exam. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1Leaving Certificate Music is organised around which three essential activities?
A.Performing, composing and listening
B.Sight-reading, history and orchestra only
C.Theory paper, oral interview and portfolio only
D.Dance, drama and visual art
Explanation: The NCCA Leaving Certificate Music syllabus centres on three essential activities — performing, composing and listening — each carrying a 25% weighting before the elective.
2What percentage weighting does each of the three essential Music activities carry before the elective?
A.10%
B.25%
C.33%
D.50%
Explanation: Each essential activity (performing, composing, listening) is allocated 25%. A further 25% elective allows one activity to reach 50%.
3At Higher Level, how is the remaining 25% after the three essential activities allocated?
A.As a Higher Level elective in performing, composing or listening
B.As a compulsory fourth activity called music history only
C.As an automatic bonus for completing Junior Cycle Music
D.As a separate CAO interview mark
Explanation: Higher Level candidates undertake additional studies as a Higher Level elective in one of the three activities, bringing that activity to 50% of total marks.
4Which body administers the Leaving Certificate Music examinations?
A.State Examinations Commission (SEC)
B.Royal Irish Academy of Music only
C.European Music Board
D.Local county council education office only
Explanation: Leaving Certificate examinations, including Music practicals and written/aural papers, are administered by the State Examinations Commission (SEC).
5Ordinary Level candidates may choose one of the three activities to represent what percentage of total marks?
A.15%
B.25% only with no choice
C.50%
D.100%
Explanation: At Ordinary Level, candidates choose one activity (performing, composing or listening) to represent 50% of total marks, with the other two at 25% each.
6Which staves must students be able to use when notating composing work?
A.Treble and bass staves
B.Alto clef only
C.Percussion stave only
D.Graphic scores only with no pitch staves
Explanation: Composing requirements include conceiving and notating music using both treble and bass staves, alongside other rudiments listed in the syllabus.
7Which common simple time signatures are required for Ordinary Level composing literacy?
A.5/4, 7/8 and 11/8 only
B.2/4, 3/4 and 4/4
C.12/16 only
D.Cut time and 9/16 only
Explanation: The syllabus requires common time signatures 2/4, 3/4 and 4/4 (with Higher Level also requiring compound duple 6/8).
8Up to how many sharps and flats in major and minor keys must Ordinary Level candidates handle for composing literacy?
A.None — open key only
B.Two sharps and two flats
C.Seven sharps only
D.All 24 keys with no limit stated
Explanation: Ordinary Level composing literacy covers major and minor keys up to two sharps and two flats; Higher Level extends to four sharps and four flats.
9What is the typical length of a melody-writing exercise at Ordinary Level?
A.Two bars
B.Eight bars
C.Thirty-two bars only
D.An entire multi-movement sonata
Explanation: Ordinary Level melody writing is eight bars; Higher Level melody writing is sixteen bars, from a given opening, text, or dance/metre/form stimulus.
10Which cadence typically ends on the tonic chord (I or i) after the dominant (V), giving a strong sense of closure?
A.Interrupted cadence
B.Perfect cadence
C.Phrygian half cadence only
D.Deceptive cadence only as synonym for plagal
Explanation: A perfect cadence (V–I or V–i) provides a strong sense of finality and is a core aural and composing skill.

About the LC Music Exam

Leaving Certificate Music (Ireland) is a senior-cycle subject built on three essential activities — Performing, Composing and Listening — with continuity from Junior Cycle Music. Under the NCCA syllabus published by An Roinn Oideachais, each activity carries a 25% weighting and a further 25% elective allows candidates to specialise so that one activity can reach 50%. Assessment uses a practical performing examination (including technology pathways), a listening paper covering four prescribed works (alternating Group A / Group B cycles), Irish music and aural skills, and a composing paper testing melody writing and harmony (with an optional portfolio route for the Higher Level composing elective). Supporting studies include music literacy, analysis, historical and cultural context, and awareness of music in economy and society. This free OpenExamPrep bank provides original multiple-choice practice for music literacy, melody and harmony concepts, form, Irish traditional idioms, prescribed-work concepts (especially Group B for 2026–2028), aural awareness theory, composition techniques and music technology rules; it is not a substitute for authenticated performing, live aural examination or original composition work required for full certification.

Exam sponsor: State Examinations Commission (SEC), Ireland. The requirements and fees below concern the certification or admission exam, separate from our free practice resources.

Assessment

Three essential activities each worth 25% (Performing, Composing, Listening), plus a further 25% elective so one activity can total 50%. Ordinary Level: choose one activity to double. Higher Level: complete a Higher Level elective in performing, composing or listening. Typical written split: Listening paper (prescribed works, Irish music, aural skills) and Composing paper (melody writing and harmony); optional composing portfolio for the composing elective. Practical options include solo, group, conducting, improvisation and music technology.

Time Limit

Listening and composing papers are each commonly about 90 minutes during the June Leaving Certificate examinations. Practical maximum session times (including unprepared test): Ordinary Level about 10 minutes; Higher Level (25% performing) about 15 minutes; Higher Level elective (50% performing) about 25 minutes. Confirm the official SEC timetable and circular for the year of entry.

Passing Score

No fixed pass mark for the subject. Results are reported on the H1–H8 scale at Higher Level and O1–O8 at Ordinary Level (10% bands from 90–100% down). A grade of H6/O6 or higher typically attracts CAO points from that subject among the candidate's best six.

Exam / Certification Fees

Candidates in recognised schools do not pay a separate per-subject sitting fee; external and repeat candidates pay an examination fee set annually by the State Examinations Commission. Confirm current fees with the SEC.

Exam sponsor website

Our practice resources: topics covered

We aim to reflect publicly available exam outlines and topic information in our study resources. Coverage, format, and difficulty may differ from the actual exam, and we cannot guarantee that every detail is accurate or current. Confirm exam requirements, fees, and policies with the official exam sponsor.

Structure

Assessment structure & performing pathways

Practice covers essential vs elective weightings, Higher vs Ordinary requirements, solo/group/conducting/improvisation/technology options, unprepared tests, and maximum practical times so candidates understand how the subject is certified.

Composing ~25–50%

Music literacy, melody and harmony

Practice covers notation, intervals, rhythmic values, time signatures, keys, melody writing conventions, dance metres, cadences, diatonic chord progressions, inversions, V7, non-chord notes and modulation concepts used on the composing paper.

Listening ~25–50%

Prescribed works, Irish music and aural theory

Practice covers analysis concepts for prescribed works (Group B for 2026–2028: Mozart K.488, Berlioz Symphonie Fantastique II & IV, Deane Seachanges, Beatles Sgt. Pepper), Irish dance types and instruments, and aural identification theory for form, timbre, texture and cadences.

Cross-cutting

Composition techniques & music technology

Practice drills motivic development, texture and arrangement ideas for electives, plus technology performing requirements: multi-part score input, audible edits, print/record/save/retrieve, and backing-track rules.

Preparing for the LC Music Exam

What You Need to Know

  • Passing score: No fixed pass mark for the subject. Results are reported on the H1–H8 scale at Higher Level and O1–O8 at Ordinary Level (10% bands from 90–100% down). A grade of H6/O6 or higher typically attracts CAO points from that subject among the candidate's best six.
  • Assessment: Three essential activities each worth 25% (Performing, Composing, Listening), plus a further 25% elective so one activity can total 50%. Ordinary Level: choose one activity to double. Higher Level: complete a Higher Level elective in performing, composing or listening. Typical written split: Listening paper (prescribed works, Irish music, aural skills) and Composing paper (melody writing and harmony); optional composing portfolio for the composing elective. Practical options include solo, group, conducting, improvisation and music technology.
  • Time limit: Listening and composing papers are each commonly about 90 minutes during the June Leaving Certificate examinations. Practical maximum session times (including unprepared test): Ordinary Level about 10 minutes; Higher Level (25% performing) about 15 minutes; Higher Level elective (50% performing) about 25 minutes. Confirm the official SEC timetable and circular for the year of entry.
  • Exam / certification fees: Candidates in recognised schools do not pay a separate per-subject sitting fee; external and repeat candidates pay an examination fee set annually by the State Examinations Commission. Confirm current fees with the SEC. Official sources

Using Our Practice Resources

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LC Music: Suggested Study Strategy

1Map your elective early: know whether you are at 50% performing, composing or listening and plan weekly practice time accordingly — practical marks cannot be recovered on written papers alone.
2For set works, practise score-and-recording pairing: name form sections, instruments, motifs, texture changes and historical context for each extract, not only plot summaries.
3Drill Irish dance metres and instruments from audio every week (jig 6/8, reel duple, hornpipe dotted feel, slip jig 9/8) and describe ornamentation in plain musical language.
4On composing, write short melodies daily with clear phrase structure (question–answer) and cadences; mark chord choices under the bass before adding decorations.
5Higher Level harmony needs first inversions, V7 and cadential 6/4 patterns — learn stock progressions in major and minor up to four sharps/flats.
6If taking technology, rehearse timed input of multi-part scores, three or six different audible edits, and clean save/close/retrieve under exam conditions with internet disabled.
7Use past SEC unprepared tests for sight-reading, aural memory and improvisation; one unprepared test is required of every practical candidate.
8Remember this MCQ bank only supports knowledge — schedule live ensemble or solo rehearsal, full mock listening papers with audio, and full mock composing papers under timed conditions.

Frequently Asked Questions

How is Leaving Certificate Music assessed?

Through three essential activities — Performing, Composing and Listening — each worth 25%, plus a further 25% elective so one activity can total 50%. Modes include a practical performing exam, a listening paper and a composing paper (and optional composing portfolio for the composing elective).

What is on the Listening paper?

Questions on four prescribed set works (studied in detail), Irish music, and general aural skills (melody, rhythm, timbre, form, and at Higher Level texture and cadences). Papers use audio extracts and score-based constructed responses, not multiple choice.

Which prescribed works apply for 2026?

Prescribed works alternate in three-year groups. Group B is examined in 2026, 2027 and 2028: Mozart Piano Concerto No. 23 in A major K.488; Berlioz Symphonie Fantastique (Movements II and IV); Raymond Deane Seachanges (with Danse Macabre); and the Beatles Sgt. Pepper's Lonely Hearts Club Band album. Confirm the official list for your year of entry.

What is on the Composing paper?

Melody writing (typically eight bars at Ordinary Level and sixteen at Higher Level from a given opening, text or dance/form stimulus) and harmony exercises (cadential writing, bass and chord indications, or Higher Level supportive bass, backing chords or countermelody).

Is this practice bank a substitute for the practical exam?

No. These are original multiple-choice questions for concept knowledge. Performing (including technology options), live aural skills and original composition still require authenticated SEC assessment.

Are these official State Examinations Commission questions?

No. They are original OpenExamPrep single-best-answer questions modelled on the NCCA syllabus and SEC assessment structure. Always also practise official past papers, unprepared tests and marking schemes from the SEC archive.