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100+ Free Pancyprian TS Fashion Design II Practice Questions

Cyprus Pancyprian Access Examination Technical School Fashion Design II (Practical Direction) (ΣΧΕΔΙΟ ΜΟΔΑΣ ΙΙ Τ.Σ. (Π.Κ.), code 507) practice questions are available now; exam metadata is being verified.

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2026 Statistics

Key Facts: Pancyprian TS Fashion Design II Exam

507

Official subject code for ΣΧΕΔΙΟ ΜΟΔΑΣ ΙΙ Τ.Σ. (Π.Κ.) in the 2026 Pancyprian Access Examinations

Cyprus Examinations Service

3 hours per the official 2026 timetable

Official examination duration from the 2026 timetable (e.g. 08:00–11:00 on 15 June 2026)

Cyprus Examinations Service

EUR 25

2026 fee per access subject (not code 032)

Cyprus Examinations Service

0–20

Marking scale for each Pancyprian subject

Cyprus Examinations Service

8–26 June 2026

Examination period of the 2026 Pancyprian Access Examinations

Cyprus Examinations Service

100

Original practice questions in this study bank

OpenExamPrep

Free 100-question English-language MCQ study bank for Pancyprian Technical School Fashion Design II (Practical Direction) (code 507). Official duration: 3 hours per the official 2026 timetable. Official fee: EUR 25.00 per access subject in 2026. This bank is a study aid, not an official translation or format simulation.

Sample Pancyprian TS Fashion Design II Practice Questions

Try these sample questions to test your Pancyprian TS Fashion Design II exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1On a pattern piece, the grainline arrow must be aligned with which fabric direction when laying out for cutting?
A.The selvage (lengthwise grain)
B.The bias at 45° only
C.The crosswise grain only
D.Any convenient fold
Explanation: The grainline marks the intended lengthwise grain. Aligning it parallel to the selvage keeps the garment hanging correctly and prevents twisting.
2A standard seam allowance added around most garment pattern pieces is typically:
A.0.5 cm
B.1.5 cm (about 5/8 inch)
C.5 cm
D.10 cm
Explanation: Industry and school patternmaking commonly use about 1.5 cm (5/8") seam allowance, giving enough fabric to sew, press and finish without excessive bulk.
3A bust dart on a bodice block primarily controls fit by:
A.Lengthening the centre front
B.Replacing all ease allowance
C.Removing excess fabric so the bodice conforms to body curves
D.Changing fibre content
Explanation: Darts suppress fullness so flat pattern pieces shape to the bust, waist or hip. Without them, the bodice would gap or pull over curves.
4Notches on a pattern edge are used mainly to:
A.Indicate fabric fibre content
B.Replace the grainline arrow
C.Mark the finished garment size only
D.Match corresponding seams and pieces during assembly
Explanation: Single/double notches help align seams (e.g. side seams, sleeve to armhole) so pieces join accurately.
5Wearing ease in a pattern is the amount of extra circumference added so that:
A.The wearer can move and breathe comfortably
B.Seam allowances become unnecessary
C.The fabric always stretches on bias
D.Grading between sizes is skipped
Explanation: Wearing ease is functional room beyond body measurements. Design ease is additional stylistic fullness beyond that.
6A basic block (sloper) differs from a fashion pattern mainly because it:
A.Already includes all fashion details and trims
B.Is a fitted foundation without design styling, used to develop styles
C.Is cut only on the bias
D.Has no darts or seam allowances ever
Explanation: Blocks/slopers capture body fit for a size. Fashion patterns are developed from them by adding style lines, fullness and design features.
7Cutting a skirt panel on the true bias (45° to warp and weft) most characteristically:
A.Eliminates the need for any hem
B.Makes the fabric completely non-fraying
C.Increases stretch and fluid drape around the body
D.Forces the grainline parallel to the hem only
Explanation: True bias has maximum give between warp and weft, producing characteristic cling and fluid hang—useful for bias skirts and cowls.
8The slash-and-spread method is used on a pattern to:
A.Reduce seam allowance to zero
B.Convert woven fabric into knit
C.Remove all notches
D.Add controlled fullness (e.g. gathers or flare)
Explanation: Slashing and spreading opens space that becomes gathers, pleats or flared fullness while preserving original fit landmarks.
9Moving a bust dart from the side seam to the waist using pivot or slash methods is an example of:
A.Dart manipulation (same suppression, new location)
B.Changing the wearer's bust measurement
C.Eliminating all ease
D.Grading up one full size
Explanation: Dart manipulation relocates or combines dart intake without changing the total amount of suppression needed for fit.
10A shaped neckline facing pattern is typically:
A.Identical to a full bodice block
B.Cut to match the neckline shape and finished width, then understitched
C.Always cut as a rectangle only
D.Sewn only to the hem
Explanation: Facings follow the neckline/armhole curve, are interfaced, attached, clipped and understitched so they stay rolled inside.

About the Pancyprian TS Fashion Design II Practice Questions

Verified exam format metadata for Cyprus Pancyprian Access Examination Technical School Fashion Design II (Practical Direction) (ΣΧΕΔΙΟ ΜΟΔΑΣ ΙΙ Τ.Σ. (Π.Κ.), code 507) is pending. The practice questions above remain available while official exam length, timing, passing score, fee, and administrator details are reviewed.