5.4 Speaking Tasks and Scoring Criteria

Key Takeaways

  • Four common Berbicara task types are describing a picture/situation, responding to a question, retelling, and role-play/dialogue — each scored on the same five-dimension rubric.
  • The five scoring dimensions are kefasihan (fluency), kebakuan dan akurasi (accuracy/standardness), kesesuaian isi (content), pelafalan (pronunciation), and koherensi (coherence).
  • The structural template opening–point–closing (pembuka–isi–penutup) lifts the coherence dimension from Semenjana to Madya and is the single most reliable speaking strategy.
  • Pronunciation is judged against standard Indonesian phonology: clear /e/ pepet vs. /e/ taling, no reduction of final vowels, and correct stress on loanwords.
  • A model response acknowledges the prompt, states a position in baku, supports it with one or two KBBI-precise sentences, and closes with a tie-back.
Last updated: July 2026

Typical Berbicara Task Types

UKBI Berbicara prompts fall into four recurring families. The task type determines the expected structure, but every type is judged against the same five-dimension rubric, and every type requires bahasa baku throughout.

Task typeWhat it asks forTypical structure
Describing a picture/situation (mendeskripsikan gambar/situasi)Describe what is shown or occurring, in formal prose.Pembuka (what is depicted) → detail (two to three observations) → penutup (interpretation).
Responding to a question (merespons pertanyaan)Answer a substantive question with a position and a brief justification.Pembuka (state position) → alasan (one to two reasons in baku) → penutup (restate position).
Retelling (menceritakan ulang)Retell a short passage or scenario in your own words.Pembuka (orientation) → isi (key events in sequence) → penutup (resolution or takeaway).
Role-play/dialogue (peran/dialog)Take a role in a short scripted interaction with a penguji or another candidate.Acknowledge interlocutor → state your role's position → respond to one counter-point → close.

For role-play/dialogue, the rubric additionally scores active listening — you must acknowledge the interlocutor's prior turn before adding your own, and you must not interrupt. A response that pivots to your prepared point without acknowledging the prior turn caps the coherence dimension at Semenjana regardless of language quality.

The Five Scoring Dimensions

Each spoken response is graded against five dimensions. Kefasihan and kebakuan together carry the heaviest weight; the remaining three carry roughly equal weight.

  1. Kefasihan (fluency) — Is the delivery continuous, without long pauses or restarts? Is the rate around 110–130 wpm? Are there fillers?
  2. Kebakuan dan akurasi (accuracy and standardness) — Is the response in bahasa baku throughout? Are verbs correctly affixed (menganalisis, not menanalisis; memperhatikan, not mengperhatikan)? Are pronouns, conjunctions, and negations in KBBI form?
  3. Kesesuaian isi (content) — Does the response address the prompt fully? For a question prompt, is a position stated and justified? For a picture prompt, are the main elements described?
  4. Pelafalan (pronunciation) — Is the pronunciation standard Indonesian? Are /e/ pepet and /e/ taling distinguished? Are final vowels not reduced to schwa? Are loanwords stressed according to Indonesian convention?
  5. Koherensi (coherence) — Does the response have a clear pembuka–isi–penutup? Are ideas connected with penanda hubungan? In interactive tasks, is the interlocutor's prior turn acknowledged?

Pronunciation Notes for Standard Indonesian

Indonesian pronunciation is generally close to its spelling, but a few points are scored explicitly:

  • /e/ pepet versus /e/ taling. The schwa-like /e/ in ke- prefixes and in words like emas (gold) is pepet; the clearer /e/ in besar, sepuluh, nama is taling. Confusing them does not impede comprehension but is scored against pelafalan at the Unggul level.
  • Final vowels are not reduced. Unlike English, Indonesian final vowels are pronounced clearly: satu, dua, tiga end in clear vowels, not schwas.
  • Loanword stress follows PUEBI on a per-word basis. Kudeta is stressed on de, kuitansi on ta, korespondensi on den. Mis-stressing loanwords is scored at the Unggul level but not at the Madya level.
  • Avoid regional accent interference in formal prompts. Regional accents are not penalised at Semenjana, but a consistently standard (Jakarta-baku) phonological profile is rewarded at Unggul and above.

The Opening–Point–Closing Strategy

The single most reliable speaking strategy is the pembuka–isi–penutup template. Apply it to every prompt, regardless of type:

  • Pembuka (opening): Acknowledge the prompt in one sentence. For a question prompt, state your position. For a picture prompt, name what is depicted. For a retelling, give the orientation. This sentence signals to the rater that you have understood the prompt.
  • Isi (point/body): Deliver two to three sentences in baku supporting the opening. Use penanda hubungan (pertama, kedua, selain itu, dengan demikian) to mark structure. Each sentence should be discrete with a clear subjek-predikat.
  • Penutup (closing): Tie back to the opening in one sentence. For a question prompt, restate the position. For a picture prompt, give a brief interpretation. For a retelling, give the resolution or takeaway.

This template lifts the coherence dimension from Semenjana to Madya on its own, and it gives the rater a clear structure to follow, which lifts the content dimension as a side effect.

A Model Response

Consider a question prompt: Apakah transportasi publik di kota Anda perlu diperbaiki, dan mengapa? (Does public transport in your city need improvement, and why?).

Model response (Unggul band):

Menanggapi pertanyaan tersebut, saya berpendapat bahwa transportasi publik di kota saya memang perlu diperbaiki. Pertama, jangkauan rute transportasi publik masih terbatas sehingga banyak kawasan permukiman tidak terlayani. Kedua, ketepatan waktu keberangkatan masih rendah, terutama pada jam puncak. Dengan demikian, perbaikan transportasi publik akan meningkatkan mobilitas warga secara signifikan.

This response follows pembuka–isi–penutup: it acknowledges the prompt, states a position, supports it with two baku reasons linked by pertama and kedua, and closes with dengan demikian to tie the support back to the position. Vocabulary is KBBI-precise (jangkauan rute, kawasan permukiman, ketepatan waktu, jam puncak, mobilitas warga), and there are no fillers.

Weak response (Semenjana band):

Eh, transportasi publik di kota saya itu kayaknya perlu diperbaiki deh soalnya sering telat dan rutenya nggak banyak. Terus fasilitasnya juga gitu, kurang nyaman buat penumpang.

This response fails on kebakuan (kayaknya, soalnya, nggak, terus, gitu, buat for untuk), fails on fluency (the opening eh and the trailing deh are fillers), and has no closing tie-back. Although it nominally addresses the prompt, the kebakuan and fluency dimensions cap it at Semenjana.

Calibration Against the Predikat Bands

As a rough calibration: a response that is consistently baku, follows pembuka–isi–penutup, and uses at least two penanda hubungan typically reaches Madya (482–577). To reach Unggul (578–640), the response must in addition use precise KBBI vocabulary, distinguish /e/ pepet and /e/ taling, and show no fillers. To reach Sangat Unggul (641–724), the response must additionally demonstrate rhetorical control — the penutup must synthesise, not merely restate. Istimewa (725–800) is reserved for responses that are baku, precise, filler-free, rhetorically controlled, and stylistically varied throughout, with a consistently standard phonological profile.

Strategy Checklist

Before finishing each response, mentally verify: (1) pembuka acknowledges the prompt, (2) isi has two to three discrete baku sentences, (3) at least one penanda hubungan used, (4) no fillers, (5) penutup ties back. Five yeses places the response reliably in the Madya band or higher.

Test Your Knowledge

Manakah struktur respons lisan yang paling andal untuk mencapai band Madya atau lebih tinggi pada seksi Berbicara UKBI?

A
B
C
D
Test Your Knowledge

Dalam rubrik Berbicara UKBI, dimensi mana yang paling ditekankan untuk membedakan band Unggul dari band Madya pada aspek pelafalan?

A
B
C
D