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100+ Free RBSE VU Hindi Literature Practice Questions

Rajasthan RBSE Varishtha Upadhyaya Hindi Literature — Code 021 practice questions are available now; exam metadata is being verified.

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2026 Statistics

Key Facts: RBSE VU Hindi Literature Exam

021

RBSE subject code for Hindi Literature

RBSE 2026 subject-wise statistics

100

Typical full marks for the subject scheme

RBSE syllabus examination scheme

3.15 hrs

Typical theory paper duration

RBSE Class 12 / Varishtha Upadhyaya syllabus scheme

33%

Typical minimum pass marks (confirm circular)

RBSE examination regulations

100

Free English MCQ study questions on this page

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RBSE Varishtha Upadhyaya Hindi Literature (code 021) is a real Board of Secondary Education, Rajasthan public-examination subject with appeared candidates in the 2026 main examination subject-wise statistics. Typical scheme: Theory 80 + Sessional 20 = 100; passing generally 33% (and separate practical pass where applicable). Use these free MCQs for theory revision only.

Sample RBSE VU Hindi Literature Practice Questions

Try these sample questions to test your RBSE VU Hindi Literature exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1In standard Hindi literary historiography, Adikal (the Early Period) is generally placed roughly between:
A.About 1000–1400 CE (pre-Bhakti early traditions)
B.About 1600–1850 CE only
C.Only after 1900 CE
D.About 1850–1920 CE exclusively
Explanation: Adikal covers early medieval Hindi traditions (including Apabhramsha-linked and early vernacular strands) before the full flowering of Bhaktikal.
2Bhaktikal in Hindi literature is best characterised as a period dominated by:
A.Only courtly shringar with no religious content
B.Devotional poetry expressing nirgun and sagun streams of bhakti
C.Only European novel translations
D.Only Marxist industrial poetry
Explanation: Bhaktikal (roughly 14th–17th centuries in common school framing) centres on bhakti poetry in both nirgun (formless Absolute) and sagun (personal deity) modes.
3Nirgun bhakti poetry emphasises devotion to:
A.Only Krishna’s childhood lila in detailed narrative
B.Only Ram’s royal court ceremonies
C.A formless, attributeless Absolute (nirguna Brahman/God)
D.Only goddess worship through tantric ritual manuals
Explanation: Nirgun poets (e.g., Kabir and related sant traditions) stress the formless Absolute beyond idols and caste.
4Sagun bhakti poetry is best described as devotion directed toward:
A.Only abstract mathematics of prosody
B.Only colonial administrative reports
C.Only atheistic social satire without devotion
D.A personal deity with form and attributes (e.g., Ram or Krishna)
Explanation: Sagun poets worship personal deities—especially Ram (Tulsidas) and Krishna (Surdas and related traditions).
5Ritikal (the Scholastic/Courtly Period) is especially associated with:
A.Refined courtly poetry emphasising shringar, alankar, and shastra-based poetic theory
B.Only oral tribal epics with no court patronage
C.Only free-verse progressive industrial poetry
D.Only English sonnet imitation after 1950
Explanation: Ritikal (roughly 17th–19th centuries in standard school surveys) features court poets, shringar rasa, and systematic poetics (riti-granth tradition).
6The Adhunik kal (Modern Period) of Hindi literature is commonly said to begin around the mid-19th century with figures such as:
A.Only Kabir and Surdas
B.Bharatendu Harishchandra and the Bharatendu Yug
C.Only Bihari and Keshavdas
D.Only Chhayavadi poets of the 1920s exclusively
Explanation: Standard surveys place modern Hindi’s start with Bharatendu Harishchandra (mid–late 19th century), followed by Dwivedi Yug and later modernisms.
7Bharatendu Yug is best known for linking Hindi literature to:
A.Only pure metaphysical nirgun pad literature
B.Only elaborate courtly nayika-bhed catalogues with no social themes
C.National awakening, social reform, and modern prose/drama beginnings
D.Only post-Independence Nai Kavita experimentalism
Explanation: Bharatendu and his circle wrote plays, essays, and poetry promoting social reform, Hindi journalism, and nationalist cultural consciousness.
8Dwivedi Yug (named after Mahavir Prasad Dwivedi) is especially associated with:
A.Only Braj Bhasha courtly shringar dohas
B.Only pure surrealist automatic writing
C.Only Sanskrit drama revival without any Hindi prose
D.Standardising Khari Boli prose and moral-didactic literary norms via journals like Saraswati
Explanation: As editor of Saraswati, Dwivedi shaped modern Khari Boli standards, didactic poetry, and early modern essay/prose culture.
9Chhayavad is a modern Hindi poetry movement best characterised by:
A.Romantic mysticism, nature imagery, individual emotion, and musical free lyricism
B.Only dry statistical economic reportage
C.Only courtly riti-granth classification of alankars
D.Only pure factory-worker slogans without imagery
Explanation: Chhayavad (roughly 1918–1936) is Hindi’s romantic-modernist phase—Prasad, Nirala, Pant, Mahadevi—rich in symbolism, nature, and inner feeling.
10Which quartet is classically called the 'four pillars' (char stambh) of Chhayavad?
A.Kabir, Surdas, Tulsidas, Jayasi
B.Jaishankar Prasad, Suryakant Tripathi 'Nirala', Sumitranandan Pant, Mahadevi Verma
C.Bihari, Keshavdas, Matiram, Bhushan
D.Premchand, Jainendra, Yashpal, Renu
Explanation: School textbooks standardise Prasad, Nirala, Pant, and Mahadevi as Chhayavad’s four pillars.

About the RBSE VU Hindi Literature Practice Questions

Verified exam format metadata for Rajasthan RBSE Varishtha Upadhyaya Hindi Literature — Code 021 is pending. The practice questions above remain available while official exam length, timing, passing score, fee, and administrator details are reviewed.