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Free Practice Questions for Maharashtra HSC Instrumental Music

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Key Facts: Maharashtra HSC Instrumental Music Exam

Subject code 68

Official MSBSHSE HSC subject code for Instrumental Music (Instruments Music)

MSBSHSE HSC general subject codes (mahahsscboard.org/hscsub.htm)

100 marks

Each Indian Music subject (including code 68) is commonly treated as a full 100-mark unit

MSBSHSE Indian Music syllabus choice notes

35%

Common minimum passing floor per HSC subject under MSBSHSE

Maharashtra HSC pass-mark practice (~35% each subject)

Practical / performance

Official Instrumental Music assessment is performance-centred, not pure MCQ

MSBSHSE Indian Music practical subject scheme

Code 65 pairing

History & Development of Indian Music often required with practical music papers

MSBSHSE Indian Music choice-of-subject notes

English MCQ adaptation

This free local bank is not the official Higher Secondary practical format

OpenExamPrep practice policy

Maharashtra MSBSHSE HSC Instrumental Music (code 68) is a Class 12 Indian Music practical subject focused on Hindustani instrumental performance and supporting theory, with ~35% pass floor — not a pure MCQ board paper. This free 2026 bank is an English MCQ study adaptation for gat, alap–jor–jhala, raga, tala, and instrument classification knowledge only.

Sample Maharashtra HSC Instrumental Music Practice Questions

Try these sample questions to review concepts for the Maharashtra HSC Instrumental Music exam. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1In Hindustani classical music, the seven basic notes of the scale are collectively called:
A.Swara (the set of seven primary tones Sa Re Ga Ma Pa Dha Ni)
B.Saptak only as a Western octave label with no Indian term
C.Tala matras only
D.Gat bols used only for tabla
Explanation: The seven basic tones of the Hindustani scale are called swaras: Shadja (Sa), Rishabh (Re), Gandhar (Ga), Madhyam (Ma), Pancham (Pa), Dhaivat (Dha), and Nishad (Ni). Instrumentalists map these pitches on frets, holes, keys, or fingerboard positions.
2Which two swaras are traditionally treated as immovable (achala) in the Hindustani scale?
A.Re and Dha
B.Sa and Pa
C.Ga and Ni
D.Ma and Ni
Explanation: Sa (Shadja) and Pa (Pancham) are achala (fixed) swaras; the other notes can take komal or tivra variants depending on raga. On fretted instruments, Sa and Pa are stable reference positions.
3A swara lowered by a semitone from its shuddha form is called:
A.Tivra swara
B.Varja swara
C.Komal swara
D.Chikari string
Explanation: Komal means flat/softened: komal Re, Ga, Dha, or Ni sit a semitone below their shuddha positions. Instrumentalists produce komal pitches by finger placement, meend, or key choice depending on the instrument.
4In Hindustani theory, tivra Madhyam (tivra Ma) is:
A.A flattened fourth degree used only in Bhairavi
B.Another name for Pancham
C.A percussion bol used in tabla theka
D.A raised (sharp) form of Madhyam above shuddha Ma
Explanation: Tivra Ma is the sharpened fourth degree of the scale, used in thaats/ragas such as Kalyan (Yaman).
5Vikrit swaras in Hindustani music refer to:
A.Altered forms of movable notes (komal or tivra) as opposed to pure shuddha forms
B.Only the percussion syllables of a theka
C.Only Sa and Pa
D.Western major-scale intervals only
Explanation: Vikrit means altered: the chala notes appear as komal or tivra variants rather than pure shuddha forms.
6An alankar in classical instrumental training is best described as:
A.A fixed tabla solo form only
B.A patterned sequence of swaras used for technical practice and facility
C.A complete vilambit gat with tabla
D.A Western chord progression chart
Explanation: Alankars are patterned note sequences (for example Sa Re Ga, Re Ga Ma) used to build speed, accuracy, and finger/bow/breath control on the instrument.
7A thaat in Bhatkhande’s system is:
A.A complete tabla theka of 16 matras only
B.A type of jhala stroke pattern only
C.A parent scale framework used to classify ragas
D.An exam fee category under MSBSHSE
Explanation: Thaats are parent scale frameworks (ten principal ones in Bhatkhande’s system) used to group and teach ragas by scale type.
8In raga theory, the ascending sequence of notes is called:
A.Avaroha
B.Theka
C.Mukhra only
D.Aroha (or arohana)
Explanation: Aroha (arohana) is the ascent of the raga’s scale; avaroha is the descent. Instrumentalists learn both for every prescribed raga.
9The most important note of a raga, emphasised in development, is the:
A.Vadi
B.Vivadi
C.Varja
D.Khali
Explanation: Vadi is the principal (sonant) note of a raga. Samvadi is the second-most important; instrumental phrases often resolve toward the vadi.
10In tala theory, a matra is:
A.Only the black paste on a tabla head
B.The smallest counting unit (beat) within a tala cycle
C.A complete multi-cycle gat form
D.A raga’s ascending scale
Explanation: Matra is the basic time unit of a tala. Cycles are described by how many matras they contain (for example, 16 in Trital/Teental).

About the Maharashtra HSC Instrumental Music Exam

Maharashtra HSC Instrumental Music (Instruments Music) under MSBSHSE is the Class 12 Indian Music practical subject for Hindustani classical instrumental training, aligned to board subject code 68. It is distinct from Vocal Classical Music (67), Vocal Light Music (66), and Percussion (69). Core theory supporting the practical includes swara (shuddha and vikrit), alankar, thaat, raga grammar (aroha–avaroha, vadi–samvadi, jati, pakad, gansamay), prescribed ragas across Std XI–XII (e.g. Khamaj, Durga, Kafi, Bihag, Bhairavi, Alhaiya Bilawal, Yaman, Bhoopali, Bhimpalas; Kedar, Bhairav, Jaunpuri, Bageshree, Shankara, Tilak Kamod, Deskar, Malkauns, Vrindavani Sarang), tala theory (Trital, Ektal, Zaptal, Kerwa, Dadra, Rupak/Roopak, Dhumali, Zumra, Tilwada, Addha and related terms), Masitkhani and Razakhani gat, alap–jor–jhala presentation concepts, instrumental ornamentation (meend, kan, taan, toda, jhala), instrument families (tat, vitat, sushir, avanaddha, ghana) and technique knowledge for common melodic instruments (sitar, flute/bansuri, violin, harmonium, santoor, and related), notation writing, and board logistics. Official assessment is performance-centred with internal/record-book work — not a pure MCQ board paper. This free local bank provides English four-option MCQs for theory revision; pair it with daily instrument riyaz, notation practice, and official papers/circulars via mahahsscboard.in.

Exam sponsor: Maharashtra State Board of Secondary and Higher Secondary Education (MSBSHSE), Pune. The requirements and fees below concern the certification or admission exam, separate from our free practice resources.

Assessment

Maharashtra Higher Secondary Instrumental Music is an HSC (Class 12) Indian Music practical subject under MSBSHSE, Pune (subject code 68). Official logistics emphasise practical presentation of swara/alankar work, prescribed ragas, talas with theka demonstration knowledge, Masitkhani and Razakhani (Rajakhani) gat with alap/taan and jor/jhala concepts as taught, instrument classification and playing technique, notation writing, and a practical record book, with internal assessment as notified. Each Indian Music subject is commonly treated as a 100-mark unit; syllabus choice notes often require History & Development of Indian Music (code 65) when taking practical papers (66/67/68). Qualifying typically requires about 35% in the subject. This practice bank is an English-language MCQ study adaptation for theory fluency only. Confirm current syllabus and circulars on mahahsscboard.in.

Time Limit

As notified (practical / board session)

Passing Score

35%

Exam / Certification Fees

As notified by MSBSHSE and paid through affiliated junior colleges for regular and private/improvement sittings (no single fixed public subject fee for all categories).

Exam sponsor website

Our practice resources: topics covered

We aim to reflect publicly available exam outlines and topic information in our study resources. Coverage, format, and difficulty may differ from the actual exam, and we cannot guarantee that every detail is accurate or current. Confirm exam requirements, fees, and policies with the official exam sponsor.

~10% of this local bank

Swara and Instrumental Technique Theory

Shuddha/vikrit swaras, komal/tivra, saptak, and pitch production on instruments.

~6% of this local bank

Alankar and Pattern Practice

Alankar patterns and sargam ascent–descent training logic for instruments.

~8% of this local bank

Thaat System

Ten parent thaats and raga–thaat mapping.

~12% of this local bank

Raga Theory and Terminology

Vadi–samvadi, jati, pakad, gansamay, aroha–avaroha rules.

~16% of this local bank

Prescribed Ragas

Std XI–XII raga facts used in instrumental presentation.

~12% of this local bank

Tala Theory for Instrumentalists

Matra structure, common talas, and theka vocabulary for gat accompaniment.

~14% of this local bank

Gat Types and Presentation Forms

Masitkhani, Razakhani/Rajakhani gat, mukhra, taan, and toda.

~10% of this local bank

Alap, Jor, Jhala and Ornamentation

Alap–jor–jhala sequence and instrumental ornaments.

~8% of this local bank

Instrument Classification and Technique

Tat/vitat/sushir/avanaddha/ghana and common melodic instruments.

~4% of this local bank

Board Structure and Notation

Subject codes 65–69, pairing rules, and notation ideas.

Preparing for the Maharashtra HSC Instrumental Music Exam

What You Need to Know

  • Passing score: 35%
  • Assessment: Maharashtra Higher Secondary Instrumental Music is an HSC (Class 12) Indian Music practical subject under MSBSHSE, Pune (subject code 68). Official logistics emphasise practical presentation of swara/alankar work, prescribed ragas, talas with theka demonstration knowledge, Masitkhani and Razakhani (Rajakhani) gat with alap/taan and jor/jhala concepts as taught, instrument classification and playing technique, notation writing, and a practical record book, with internal assessment as notified. Each Indian Music subject is commonly treated as a 100-mark unit; syllabus choice notes often require History & Development of Indian Music (code 65) when taking practical papers (66/67/68). Qualifying typically requires about 35% in the subject. This practice bank is an English-language MCQ study adaptation for theory fluency only. Confirm current syllabus and circulars on mahahsscboard.in.
  • Time limit: As notified (practical / board session)
  • Exam / certification fees: As notified by MSBSHSE and paid through affiliated junior colleges for regular and private/improvement sittings (no single fixed public subject fee for all categories). Official sources

Using Our Practice Resources

  • Work through all 100 available questions
  • Review every answer and explanation
  • Track weak areas and revisit them
  • Use our AI tutor for tough concepts

Maharashtra HSC Instrumental Music: Suggested Study Strategy

1Build one-page raga cards: thaat, jati, vadi–samvadi, aroha–avaroha, pakad, gansamay — then play them slowly on your instrument.
2Drill tala theka aloud with clap/wave on tali/khali before linking each gat to its tala.
3Clearly separate Masitkhani (slow/vilambit) gat from Razakhani/Rajakhani (fast/drut) gat in both definition and presentation order.
4Practise the alap → jor → jhala sequence concepts before entering measured gat with tabla.
5Know your instrument’s family (tat/vitat/sushir) and basic construction/playing points for short theory answers.
6Separate performance practice (riyaz) from theory MCQ checks; this bank tests vocabulary and judgment only.
7After MCQ concept checks, rehearse full college practical order: alankar → sargam → alap/jor/jhala → gat → tala awareness with record-book notation.

Frequently Asked Questions

How is Maharashtra HSC Instrumental Music officially examined?

Instrumental Music (Instruments Music) is examined under the Maharashtra Higher Secondary Certificate Examination as a Class 12 Indian Music practical subject (MSBSHSE subject code 68). Assessment is primarily performance-based: presentation of prescribed material (swara/alankar, ragas with gat, alap/jor/jhala as taught, tala knowledge, instrument technique, notation, record book) with internal components as notified. Candidates generally need about 35% in the subject to pass. Confirm the year’s syllabus, practical design, and circulars on mahahsscboard.in.

Is this practice bank the same format as the official HSC Instrumental Music assessment?

No. Official MSBSHSE Instrumental Music assessment is practical/performance-centred (with internal/record-book work). This bank is an English-language multiple-choice study adaptation for Hindustani instrumental theory only — not an official practical blueprint, performance exam, or instrument substitute.

What syllabus does this bank follow?

It is aligned to Maharashtra HSC Instrumental Music under MSBSHSE subject code 68 and the Indian Music practical curriculum themes for Std XI–XII: swara, alankar, theory of prescribed ragas, talas, presentation forms (Masitkhani and Razakhani gat, alap/jor/jhala concepts), instrument classification and playing technique, technical definitions (raga and tala anga), notation writing, and related presentation judgment. Always confirm the current MSBSHSE syllabus for your year.

What is the pass mark for Maharashtra HSC Instrumental Music?

MSBSHSE commonly requires a minimum of about 35% in each subject (including Instrumental Music) out of the full 100-mark total with practical and internal components as applicable. Always verify the current Higher Secondary notification for your sitting.

What is the official subject code for HSC Instrumental Music?

MSBSHSE lists Instrumental Music / Instruments Music as subject code 68 in the HSC general subject codes scheme (see mahahsscboard.org/hscsub.htm). Related Indian Music codes include History & Development of Indian Music (65), Vocal Light Music (66), Vocal Classical Music (67), and Percussion (69). Confirm against your college subject registration and admit card.

Do I need History & Development of Indian Music with this subject?

Syllabus choice notes for Indian Music commonly state that when choosing a practical paper (Vocal Light, Vocal Classical, or Instrumental), the theory subject History & Development of Indian Music (code 65) is compulsory, while code 65 may also be taken independently. Confirm the current scheme with your junior college and year circulars.

How is Instrumental Music different from Vocal Classical Music or Percussion?

Instrumental Music (code 68) is the melodic-instrument practical stream (sitar, flute/bansuri, violin, harmonium, santoor, and related). Vocal Classical Music (67) is Hindustani vocal khyal/bandish performance. Percussion (69) is Tabla/Pakhawaj and tala-performance focused. All three share raga/tala vocabulary but differ in presentation forms (gat vs khyal vs theka/kayda).

Where should I check official syllabus, papers, and results?

Use the MSBSHSE site at mahahsscboard.in for circulars and materials, mahahsscboard.org/hscsub.htm for subject codes and syllabus links, Balbharati digital resources where available, and your divisional board portals for results and hall tickets.