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100+ Free Karnataka KSEAB II PUC Apparel Made-Ups & Home Furnishing Practice Questions

Karnataka School Examination and Assessment Board (KSEAB) II PUC Class 12 Vocational Apparel, Made-Ups and Home Furnishing (Subject Code 60) practice questions are available now; exam metadata is being verified.

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Overall II PUC pass percentages are published with each KSEAB result; no fixed standing subject-wise vocational Apparel pass-rate figure is used here. Pass Rate
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2026 Statistics

Key Facts: Karnataka KSEAB II PUC Apparel Made-Ups & Home Furnishing Exam

60

KSEAB II PUC vocational Apparel Made-Ups and Home Furnishing subject code

KSEAB II PUC blueprint / MQP listings (dpue-exam.karnataka.gov.in)

60 marks

Official theory maximum marks for subject code 60 model/blueprint materials

KSEAB II PUC Apparel Made-Ups & Home Furnishing MQP/blueprint

2h 15m

Typical theory duration shown on code 60 model/blueprint materials

KSEAB II PUC Apparel Made-Ups & Home Furnishing MQP/blueprint

Mixed paper

Objective items plus multi-mark constructed responses; practical assessed separately

KSEAB II PUC vocational assessment pattern (confirm year circular)

MCQ adaptation

This bank trains theory/employability knowledge only—not practical replacement

OpenExamPrep study adaptation disclosure

KSEAB II PUC Apparel Made-Ups & Home Furnishing (code 60) is Karnataka’s Class 12 vocational apparel subject: theory ~60 marks / 2h15 mixed paper plus practical as notified. Free 2026 MCQ bank here is a theory/employability study adaptation—not a practical skill-evidence replacement.

Sample Karnataka KSEAB II PUC Apparel Made-Ups & Home Furnishing Practice Questions

Try these sample questions to test your Karnataka KSEAB II PUC Apparel Made-Ups & Home Furnishing exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1Which natural fibre is classified as a bast fibre harvested from plant stems?
A.Cotton lint from the seed boll
B.Flax (linen) from stem bast
C.Wool from sheep fleece
D.Silk from the silkworm cocoon
Explanation: Bast fibres such as flax (linen), jute, and hemp are extracted from the phloem/bast layer of plant stems. Cotton is a seed hair fibre; wool and silk are animal protein fibres.
2Mercerisation of cotton fabric is primarily performed to:
A.Increase lustre, dye affinity, and strength by treating with caustic alkali under tension
B.Convert cotton into a fully synthetic thermoplastic fibre
C.Remove all cellulose from the fabric
D.Bond polyester filaments permanently into cotton yarns
Explanation: Mercerisation treats cotton with concentrated sodium hydroxide under tension, swelling the fibre, improving lustre, dye uptake, and often strength. It does not turn cotton into a synthetic polymer.
3In the cotton (English) yarn count system, a higher count number generally indicates a yarn that is:
A.Finer (more length per unit mass)
B.Heavier and thicker only
C.Always made of wool
D.Always a filament yarn
Explanation: In indirect count systems such as cotton count, higher count means finer yarn—more hanks of a fixed length weigh one pound. Coarser yarns have lower counts.
4A satin weave is characterised mainly by:
A.Long floats of warp or weft that produce a smooth, lustrous surface
B.Only single-jersey looping with no floats
C.Equal plain interlacing of every yarn with no floats
D.Knitted rib columns only
Explanation: Satin (and sateen) weaves use long floats so fewer interlacings show on the face, creating a smooth, shiny surface. Plain weave has maximum interlacing; knits are loop constructions.
5Compared with a comparable woven fabric, a single-jersey knit fabric typically offers more:
A.Extensibility and recovery in the course (width) direction
B.Zero stretch in any direction
C.Only warp-direction strength with no loop structure
D.Complete immunity to dimensional change after wash
Explanation: Single jersey’s loop structure generally gives greater stretch and recovery, especially widthwise, than a similar-weight plain weave. Knits can still shrink or distort if not stabilised.
6Residual shrinkage in apparel or home-textile fabric is best managed in production by:
A.Using pre-shrunk or properly finished fabric and allowing for residual shrinkage in product engineering
B.Ignoring wash behaviour because all fabrics shrink equally
C.Always cutting on the bias only
D.Using the highest iron temperature on every fibre
Explanation: Residual shrinkage must be known from supplier data or tests; fabric may be pre-shrunk/finished and product dimensions engineered accordingly. Shrinkage is fibre- and construction-specific.
7Viscose (rayon) is best described as:
A.A regenerated cellulosic fibre made from purified wood pulp or other cellulose
B.A fully synthetic petroleum-based polyester
C.A natural protein fibre from sheep
D.A mineral fibre mined as asbestos
Explanation: Viscose is a regenerated cellulose fibre: natural cellulose is dissolved and re-extruded as filaments/staple. It is not polyester, wool, or a mineral fibre.
8Colourfastness of dyed or printed fabric refers mainly to the fabric’s ability to:
A.Resist colour change or transfer under specified conditions (washing, rubbing, light, etc.)
B.Always increase shade depth after every wash
C.Eliminate the need for any care label
D.Guarantee zero pilling forever
Explanation: Colourfastness measures resistance to fading or staining under defined agencies (wash, crocking/rubbing, light, perspiration). It does not guarantee other performance properties.
9In garment construction, interlining (or interfacing) differs from lining mainly because interlining is used to:
A.Add body, shape, or support to specific areas (collars, cuffs, waistbands)
B.Always form the outer fashion shell of the garment
C.Replace sewing thread in lockstitch seams
D.Serve only as the decorative outermost print layer
Explanation: Interlining/interfacing is an internal support layer for shape and stability. Lining covers interior construction for comfort and finish; neither replaces thread or becomes the outer shell by definition.
10Selvedge of a woven fabric is important in cutting rooms mainly because it:
A.Indicates the lengthwise fabric edge parallel to warp and helps establish grainline
B.Is always the only place allowed for hems
C.Must always be placed on the bias fold
D.Contains no warp yarns at all
Explanation: Selvedge runs lengthwise with the warp and is a reliable grain reference when laying patterns. Hem placement and fold decisions depend on design, not only selvedge.

About the Karnataka KSEAB II PUC Apparel Made-Ups & Home Furnishing Practice Questions

Verified exam format metadata for Karnataka School Examination and Assessment Board (KSEAB) II PUC Class 12 Vocational Apparel, Made-Ups and Home Furnishing (Subject Code 60) is pending. The practice questions above remain available while official exam length, timing, passing score, fee, and administrator details are reviewed.