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100+ Free BSEB Matric Music Practice Questions

Bihar School Examination Board (BSEB) Matric Music (Class 10 / Secondary Public Examination — Music, elective model-paper code 120) practice questions are available now; exam metadata is being verified.

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2026 Statistics

Key Facts: BSEB Matric Music Exam

Code 120

Common BSEB Matric Music elective model-paper / subject code style reference

BSEB Matric model-paper catalog / timetable reporting

Theory + practical

Official Music assessment typically includes performance evidence

BSEB Matric elective subject pattern

Swara–Raga–Tala

Core theory pillars for Class 10 Indian music study

Standard school musicology scope

English MCQ adaptation

This free local bank is theory revision only — not a performance substitute

OpenExamPrep practice policy

BSEB Matric Music (elective, model-paper code 120 style) is a Class 10 subject with mixed theory + practical/performance assessment. This free 2026 bank is an English MCQ theory adaptation for swara, raga, tala, Hindustani/Carnatic basics, instruments, notation, and musicians — not an official paper or performance exam.

Sample BSEB Matric Music Practice Questions

Try these sample questions to test your BSEB Matric Music exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1In Indian classical music theory, the seven basic notes (sa re ga ma pa dha ni) together are called the:
A.Saptak
B.Only tala
C.Only theka
D.Only gharana
Explanation: Saptak means a set of seven swaras spanning an octave-like range in Indian music theory.
2Which swara is considered the tonal reference or tonic in a performance?
A.Shadja (Sa)
B.Only teevra Ma always
C.Only komal Ni always
D.Only pancham as the only movable tonic name
Explanation: Shadja (Sa) is the tonic reference; other notes are understood relative to Sa.
3Komal swaras are notes that are:
A.Flattened relative to their shuddha form
B.Always higher than teevra forms by definition as the only meaning
C.Only used in Western major scales exclusively
D.Not part of Indian music
Explanation: Komal means flattened (lower) relative to the shuddha (natural) form of re, ga, dha, or ni.
4Teevra Ma refers to:
A.The sharpened form of madhyam
B.The flattened form of shadja
C.A tala of 16 beats only
D.A type of drum
Explanation: Madhyam has shuddha and teevra varieties; teevra Ma is raised relative to shuddha Ma.
5Aroha and avaroha of a raga refer to:
A.Ascending and descending note sequences that characterize the raga
B.Only costume colors
C.Only audience seating
D.Only microphone brands
Explanation: Aroha is the ascending movement; avaroha is the descending movement defining a raga’s melodic path.
6The vadi swara of a raga is best described as:
A.The most important or sonant note emphasized in the raga
B.A type of tabla stroke only
C.A silent beat called khali only
D.A Western key signature symbol only
Explanation: Vadi is the primary important note of a raga; samvadi is the secondary important note.
7Samvadi in raga theory is:
A.The second most important note that consonantly supports the vadi
B.The name of a folk dance of Bihar
C.A lighting instrument
D.A compulsory exam fee
Explanation: Samvadi complements the vadi as a key structural tone in the raga.
8Raga Yaman is traditionally associated with which time of day in common time theory teaching?
A.Evening
B.Only deep night exclusively in every textbook without exception
C.Only early morning before dawn exclusively
D.Only afternoon exclusively
Explanation: Yaman is commonly taught as an evening raga in school-level samay theory.
9Raga Bhairav is commonly taught as a:
A.Morning raga with komal re and komal dha in typical textbook descriptions
B.Only a purely percussion composition without swaras
C.A tala of 7 beats
D.A Carnatic drum only
Explanation: Bhairav is a fundamental morning raga in Hindustani pedagogy, characteristically using komal Re and komal Dha in standard descriptions.
10Jaati of a raga classifies it by:
A.The number of notes used in ascent/descent (e.g., audav, shadav, sampurna)
B.Only the performer’s age
C.Only the instrument wood type
D.Only the concert hall size
Explanation: Jaati describes tonal count: audav (5), shadav (6), sampurna (7), including mixed jatis.

About the BSEB Matric Music Practice Questions

Verified exam format metadata for Bihar School Examination Board (BSEB) Matric Music (Class 10 / Secondary Public Examination — Music, elective model-paper code 120) is pending. The practice questions above remain available while official exam length, timing, passing score, fee, and administrator details are reviewed.