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Free Practice Questions for BSEB Matric Music

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Key Facts: BSEB Matric Music Exam

Code 120

Common BSEB Matric Music elective model-paper / subject code style reference

BSEB Matric model-paper catalog / timetable reporting

Theory + practical

Official Music assessment typically includes performance evidence

BSEB Matric elective subject pattern

Swara–Raga–Tala

Core theory pillars for Class 10 Indian music study

Standard school musicology scope

English MCQ adaptation

This free local bank is theory revision only — not a performance substitute

OpenExamPrep practice policy

BSEB Matric Music (elective, model-paper code 120 style) is a Class 10 subject with mixed theory + practical/performance assessment. This free 2026 bank is an English MCQ theory adaptation for swara, raga, tala, Hindustani/Carnatic basics, instruments, notation, and musicians — not an official paper or performance exam.

Sample BSEB Matric Music Practice Questions

Try these sample questions to review concepts for the BSEB Matric Music exam. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1In Indian classical music theory, the seven basic notes (sa re ga ma pa dha ni) together are called the:
A.Saptak
B.Only tala
C.Only theka
D.Only gharana
Explanation: Saptak means a set of seven swaras spanning an octave-like range in Indian music theory.
2Which swara is considered the tonal reference or tonic in a performance?
A.Shadja (Sa)
B.Only teevra Ma always
C.Only komal Ni always
D.Only pancham as the only movable tonic name
Explanation: Shadja (Sa) is the tonic reference; other notes are understood relative to Sa.
3Komal swaras are notes that are:
A.Flattened relative to their shuddha form
B.Always higher than teevra forms by definition as the only meaning
C.Only used in Western major scales exclusively
D.Not part of Indian music
Explanation: Komal means flattened (lower) relative to the shuddha (natural) form of re, ga, dha, or ni.
4Teevra Ma refers to:
A.The sharpened form of madhyam
B.The flattened form of shadja
C.A tala of 16 beats only
D.A type of drum
Explanation: Madhyam has shuddha and teevra varieties; teevra Ma is raised relative to shuddha Ma.
5Aroha and avaroha of a raga refer to:
A.Ascending and descending note sequences that characterize the raga
B.Only costume colors
C.Only audience seating
D.Only microphone brands
Explanation: Aroha is the ascending movement; avaroha is the descending movement defining a raga’s melodic path.
6The vadi swara of a raga is best described as:
A.The most important or sonant note emphasized in the raga
B.A type of tabla stroke only
C.A silent beat called khali only
D.A Western key signature symbol only
Explanation: Vadi is the primary important note of a raga; samvadi is the secondary important note.
7Samvadi in raga theory is:
A.The second most important note that consonantly supports the vadi
B.The name of a folk dance of Bihar
C.A lighting instrument
D.A compulsory exam fee
Explanation: Samvadi complements the vadi as a key structural tone in the raga.
8Raga Yaman is traditionally associated with which time of day in common time theory teaching?
A.Evening
B.Only deep night exclusively in every textbook without exception
C.Only early morning before dawn exclusively
D.Only afternoon exclusively
Explanation: Yaman is commonly taught as an evening raga in school-level samay theory.
9Raga Bhairav is commonly taught as a:
A.Morning raga with komal re and komal dha in typical textbook descriptions
B.Only a purely percussion composition without swaras
C.A tala of 7 beats
D.A Carnatic drum only
Explanation: Bhairav is a fundamental morning raga in Hindustani pedagogy, characteristically using komal Re and komal Dha in standard descriptions.
10Jaati of a raga classifies it by:
A.The number of notes used in ascent/descent (e.g., audav, shadav, sampurna)
B.Only the performer’s age
C.Only the instrument wood type
D.Only the concert hall size
Explanation: Jaati describes tonal count: audav (5), shadav (6), sampurna (7), including mixed jatis.

About the BSEB Matric Music Exam

Bihar Matric Music under BSEB is a Class 10 elective covering foundational Indian music theory: swara and shruti, raga structure, tala and laya, Hindustani and Carnatic system basics, instrument families, notation concepts, musical forms, and famous musicians. Official assessment combines written theory with practical/performance evidence (model-paper code 120 style materials). This free local bank provides English four-option theory MCQs for revision only; pair it with official model papers on biharboardonline.com and sustained riyaaz. It is not a performance substitute.

Exam sponsor: Bihar School Examination Board (BSEB). The requirements and fees below concern the certification or admission exam, separate from our free practice resources.

Assessment

BSEB Matric Music is an elective subject under the Annual Secondary Examination (Class 10), commonly referenced by model-paper code 120. Official assessment typically includes written theory (often mixed objective–subjective) plus practical/performance components (vocal or instrumental). Exact marks and section splits are set by BSEB for each academic year — confirm biharboardonline.com. This practice bank is an English-language MCQ theory adaptation for swara, raga, tala, Hindustani/Carnatic basics, instruments, notation, and famous musicians; it does not simulate the official mixed paper or replace performance preparation.

Time Limit

About 3 hours 15 minutes (theory public examination; confirm year’s timetable)

Passing Score

Commonly reported near 30–33% in theory (and separate practical minimums where practical applies) — verify the current BSEB Matric notification.

Exam / Certification Fees

As notified by BSEB and paid through Matric schools for regular and compartment/improvement sittings (no single fixed public subject fee for all categories).

Exam sponsor website

Fees, eligibility, and exam policies can change. Confirm them with the exam sponsor before applying or paying.

Our practice resources: topics covered

We aim to reflect publicly available exam outlines and topic information in our study resources. Coverage, format, and difficulty may differ from the actual exam, and we cannot guarantee that every detail is accurate or current. Confirm exam requirements, fees, and policies with the official exam sponsor.

~18% of this local bank

Swara & Shruti Fundamentals

Saptak, shuddha/komal/tivra swaras, aroha–avaroha ideas, and basic shruti concepts for school-level theory.

~20% of this local bank

Raga Basics

Raga definition, vadi–samvadi, jaati, time theory (samay), and common beginner ragas (Yaman, Bhairav, Bhimpalasi, etc.).

~18% of this local bank

Tala & Laya

Matra, vibhag, sam, tali–khali, common talas (Teental, Dadra, Keharwa, Rupak, Ektal) and laya types.

~16% of this local bank

Hindustani & Carnatic Systems

Major differences and shared foundations between North Indian (Hindustani) and South Indian (Carnatic) classical music.

~14% of this local bank

Instruments & Families

Tata, Sushira, Avanaddha, Ghana classification; identification of sitar, tabla, flute, veena, mridangam, harmonium, etc.

~14% of this local bank

Notation, Forms & Famous Musicians

Bhatkhande/Paluskar notation ideas, bandish/kriti/alap concepts, and landmark musicians relevant to school theory.

Preparing for the BSEB Matric Music Exam

What You Need to Know

  • Passing score: Commonly reported near 30–33% in theory (and separate practical minimums where practical applies) — verify the current BSEB Matric notification.
  • Assessment: BSEB Matric Music is an elective subject under the Annual Secondary Examination (Class 10), commonly referenced by model-paper code 120. Official assessment typically includes written theory (often mixed objective–subjective) plus practical/performance components (vocal or instrumental). Exact marks and section splits are set by BSEB for each academic year — confirm biharboardonline.com. This practice bank is an English-language MCQ theory adaptation for swara, raga, tala, Hindustani/Carnatic basics, instruments, notation, and famous musicians; it does not simulate the official mixed paper or replace performance preparation.
  • Time limit: About 3 hours 15 minutes (theory public examination; confirm year’s timetable)
  • Exam / certification fees: As notified by BSEB and paid through Matric schools for regular and compartment/improvement sittings (no single fixed public subject fee for all categories). Official sources

Using Our Practice Resources

  • Work through all 100 available questions
  • Review every answer and explanation
  • Track weak areas and revisit them
  • Use our AI tutor for tough concepts

BSEB Matric Music: Suggested Study Strategy

1Draw raga aroha–avaroha charts and mark vadi–samvadi for each school-level raga you study.
2Clap and count common talas (Teental 16, Dadra 6, Keharwa 8, Rupak 7, Ektal 12) until matra and sam are automatic.
3Use the four instrument families (Tata, Sushira, Avanaddha, Ghana) as a memory scaffold for identification questions.
4Learn 8–10 landmark musicians with one signature contribution each rather than long biographies.
5Pair every MCQ set with a short practical note (alap, bandish line, or tala theka) so theory transfers to performance.

Frequently Asked Questions

How is BSEB Matric Music officially examined?

Music is an elective under the Bihar Matric (Class 10) Public Examination, commonly referenced with model-paper code 120. Official assessment typically combines written theory with practical/performance (vocal or instrumental). Confirm exact marks and circulars on biharboardonline.com.

Is this practice bank the same as the official Music paper?

No. Official Matric Music includes theory and practical/performance evidence with mixed item types. This bank is an English-language multiple-choice theory study adaptation only — not an official translation, blueprint replica, or performance substitute.

What theory topics does this bank cover?

Swara and shruti, raga basics, tala and laya, Hindustani vs Carnatic foundations, instrument classification and identification, notation concepts, musical forms, and famous musicians.

What is the pass mark for BSEB Matric Music?

Matric theory pass thresholds are commonly reported near 30–33%, with separate practical minimums where practical applies. Always verify the current BSEB Matric notification.

Where should I check official model papers?

Use biharboardonline.com for Matric model papers (including Music code 120 style materials), syllabi, practical instructions, and exam circulars.