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100+ Free UPMSP Intermediate Dance Practice Questions

Prepare for the Uttar Pradesh UPMSP Intermediate (Class 12) Dance (Nritya Kala) — Code 150 exam with instant access — no signup required.

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2026 Statistics

Key Facts: UPMSP Intermediate Dance Exam

3h 15m

Duration of UPMSP Class 12 Dance board exam

UPMSP Official Syllabus

100 Marks

Total marks split between theory and practicals

UP Board Examination Scheme

33%

Minimum passing percentage requirement

UPMSP Regulations

100 MCQs

Practice questions provided in this study bank

OpenExamPrep

Prepare for UPMSP Class 12 Dance (Code 150) with 100 verified MCQs covering Kathak gharanas, classical dance forms, Abhinaya, Mudras, Tala, Laykari, and stagecraft.

Sample UPMSP Intermediate Dance Practice Questions

Try these sample questions to test your UPMSP Intermediate Dance exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1Which Indian state is recognized as the primary place of origin and historical development for the classical dance form Kathak?
A.Uttar Pradesh
B.Tamil Nadu
C.Kerala
D.Odisha
Explanation: Kathak originated in northern India, primarily in Uttar Pradesh, where ancient temple storytellers called 'Kathakars' narrated mythological epics through song, gesture, and dance.
2Which ancient classical dance form originated in the temples of Tamil Nadu and was historically known as Sadir Attam?
A.Kathakali
B.Bharatanatyam
C.Manipuri
D.Kuchipudi
Explanation: Bharatanatyam originated in Tamil Nadu and was traditionally performed by Devadasis in Hindu temples under the name Sadir or Dasi Attam before its 20th-century renaissance.
3Vibrant face painting, elaborate headgear (Kiritam), and dramatic facial expressions are signature features of which classical dance-drama?
A.Sattriya
B.Mohiniyattam
C.Kathakali
D.Kathak
Explanation: Kathakali from Kerala is famous for its highly stylized makeup (Vesham), massive colorful headpieces, wide skirts, and dramatic portrayal of epic characters from the Ramayana and Mahabharata.
4The devotional Raas Leela depicting the divine love of Radha and Lord Krishna is the central thematic core of which classical dance form?
A.Odissi
B.Bharatanatyam
C.Kathakali
D.Manipuri
Explanation: Manipuri dance is deeply rooted in Vaishnavism, and its centerpiece is the Raas Leela, characterized by fluid, graceful, circular movements and soft devotional expressions.
5Which signature body posture in Odissi dance involves a triple-bend deflection of the head, torso, and hips?
A.Tribhanga
B.Chowk
C.Araimandi
D.Samabhanga
Explanation: Tribhanga (three-bend posture) is a signature feminine posture in Odissi where the body bends at the neck, waist, and knees, creating an 'S' curve resembling ancient temple sculptures.
6Which classical dance form from Kerala translates literally as the 'Dance of the Enchantress'?
A.Sattriya
B.Mohiniyattam
C.Kuchipudi
D.Kathak
Explanation: Mohiniyattam derives its name from 'Mohini', the mythical enchantress avatar of Lord Vishnu, and is a gentle, swaying solo classical dance performed by women in Kerala.
7In Kuchipudi dance, performing intricate rhythmic footwork while balancing on the edge of a brass plate is called:
A.Jatiswaram
B.Alarippu
C.Tarangam
D.Tillana
Explanation: Tarangam is a famous items in Kuchipudi where the dancer performs complex rhythmic patterns while standing on the rim of a brass plate (Thali), often balancing a pot of water on the head.
8Which 15th-century saint and polymath introduced the Sattriya dance form in the monasteries (Sattras) of Assam?
A.Chaitanya Mahaprabhu
B.Tyagaraja
C.Swami Haridas
D.Srimanta Sankardev
Explanation: Srimanta Sankardev created Sattriya in the 15th century as a medium for propagating Neo-Vaishnavism through dance-dramas (Ankia Naat) in the Sattras (monasteries) of Assam.
9Which percussion instrument is traditionally used as the primary accompaniment for Kathak dance performances?
A.Tabla
B.Mridangam
C.Chenda
D.Khol
Explanation: The Tabla (along with the Pakhawaj in older temple compositions) is the principal percussion instrument providing rhythmic accompaniment and beat calculations (tala) for Kathak.
10In the traditional Bharatanatyam Margam structure, which composition is considered the most complex and centerpiece item test of a dancer's skill?
A.Alarippu
B.Varnam
C.Padam
D.Shlokam
Explanation: Varnam is the central piece of a Bharatanatyam performance that seamlessly combines pure technical dance (Nritta) with deep emotional storytelling and mime (Nritya/Abhinaya).

About the UPMSP Intermediate Dance Exam

The Uttar Pradesh UPMSP Intermediate (Class 12) Dance (Code 150) examination tests students on classical Indian dance history, Kathak gharanas (Lucknow, Jaipur, Banaras), Abhinaya Darpana and Natyashastra theory, hand gestures (mudras), rhythm and metrical structures (Tala and Laykari), and traditional costume and stagecraft. This comprehensive 100-question practice test provides structured prep to master all core concepts of the Class 12 Dance syllabus.

Assessment

Theory examination evaluating knowledge of Classical Indian Dance forms, Kathak gharana lineages, Abhinaya types, Asamyuta and Samyuta mudras, Tala structures (Teental, Jhaptal, etc.), Laykari (Dugun, Tigun, Chaugun), Tatkar, and Aharya stagecraft.

Time Limit

3 hours 15 minutes (195 minutes)

Passing Score

33% aggregate pass mark

Exam Fee

₹600.75 for institutional (regular) Intermediate candidates and ₹806 for private candidates for the 2026 examination, plus ₹206 per additional subject. UPMSP charges one registration fee per candidate, not per subject paper. (Uttar Pradesh Madhyamik Shiksha Parishad (UPMSP))

UPMSP Intermediate Dance Exam Content Outline

20%

Classical Indian Dance Forms

Core concepts, origin states, stylistic elements, accompanying musical instruments, and traditional repertoire of major Indian classical dance forms including Kathak, Bharatnatyam, Kathakali, Manipuri, Odissi, Kuchipudi, Mohiniyattam, and Sattriya.

20%

Kathak Gharanas & History

History, historical lineage, legendary maestros, artistic features, and stylistic distinctions of the Lucknow, Jaipur, Banaras, and Raigarh gharanas of Kathak.

20%

Abhinaya & Mudras

Thematic principles of Abhinaya (Angika, Vachika, Aharya, Sattvika), Nritta, Nritya, Natya, Asamyuta (single hand) and Samyuta (double hand) Hastas according to Abhinaya Darpana, and head/eye/neck movements (Bhedas).

20%

Tala, Laykari & Kathak Compositions

Rhythmic principles of Indian classical talas (Teental, Jhaptal, Ektaal, Rupak, Dhamar), tempo variations (Laya: Vilambit, Madhya, Drut), rhythmic fractions (Laykari: Thaah, Dugun, Tigun, Chaugun, Kuadi, Biadi), and compositions like Toda, Tukda, Paran, Tihai, Chakradar, and Tatkar.

20%

Costume, Stagecraft & History of Dance

Aharya Abhinaya, traditional costumes, makeup, Ghungroo (anklet bells) specifications, stage lighting/sound, historical evolution from Devadasi and temple traditions to court patronage and modern revivalists.

How to Pass the UPMSP Intermediate Dance Exam

What You Need to Know

  • Passing score: 33% aggregate pass mark
  • Assessment: Theory examination evaluating knowledge of Classical Indian Dance forms, Kathak gharana lineages, Abhinaya types, Asamyuta and Samyuta mudras, Tala structures (Teental, Jhaptal, etc.), Laykari (Dugun, Tigun, Chaugun), Tatkar, and Aharya stagecraft.
  • Time limit: 3 hours 15 minutes (195 minutes)
  • Exam fee: ₹600.75 for institutional (regular) Intermediate candidates and ₹806 for private candidates for the 2026 examination, plus ₹206 per additional subject. UPMSP charges one registration fee per candidate, not per subject paper.

Keys to Passing

  • Complete 500+ practice questions
  • Score 80%+ consistently before scheduling
  • Focus on highest-weighted sections
  • Use our AI tutor for tough concepts

UPMSP Intermediate Dance Study Tips from Top Performers

1Memorize the structural details of key Talas: total Matras, Vibhags, Tali (claps), Khali (waves), and Sam placement.
2Distinguish clearly between the three main Kathak Gharanas (Lucknow, Jaipur, Banaras) in terms of founders, royal patrons, and performance styles.
3Learn the 28 Asamyuta Hastas and 24 Samyuta Hastas listed in Nandikeshwara's Abhinaya Darpana along with their usage (Viniyogas).
4Understand the rhythmic calculations for Dugun, Tigun, Chaugun, Kuadi (5/4), and Biadi (7/4) laykaris.
5Study traditional Aharya Abhinaya elements, including Angarkha, Chudidar, Lehenga-Choli, Dupatta, Ghungroo weight/count, and facial makeup for Kathak.

Frequently Asked Questions

What is UPMSP Code 150 Dance (Nritya Kala)?

Code 150 is the official subject code for Intermediate (Class 12) Dance / Nritya Kala prescribed by the Uttar Pradesh Madhyamik Shiksha Parishad (UPMSP), primarily focusing on Kathak classical dance along with comparative study of other Indian classical dances.

Which Kathak gharanas are specifically emphasized in the UPMSP Class 12 syllabus?

The UPMSP syllabus covers the Lucknow Gharana (known for Grace, Bhava, and Nazakat), Jaipur Gharana (known for powerful footwork and fast Chakkars), Banaras Gharana (known for Natwari Bols and spiritual devotion), and Raigarh Gharana.

What key talas are included in the Class 12 Tala and Laykari syllabus?

Primary talas include Teental (16 matras), Jhaptal (10 matras), Ektaal (12 matras), Rupak (7 matras), Dhamar (14 matras), Dadra (6 matras), and Keharwa (8 matras).

How are the four types of Abhinaya categorized according to ancient dance treatises?

Abhinaya is divided into Angika (gestural body movements), Vachika (verbal recitation/song), Aharya (costume, makeup, props), and Sattvika (authentic psychological/emotional expressions).

What is the passing criteria for UPMSP Intermediate Dance?

Students must secure at least 33% aggregate marks across theory and practical assessments conducted by the UPMSP examination board.