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Exam Review

Key Facts: PSEB Matric Music Vocal Exam

45 + 50 + 5

Theory + Practical + Internal Assessment marks (total 100)

PSEB Matric Music (Vocal) examination pattern

Elective

Music (Vocal) is a PSEB Matric Group-B elective subject

PSEB Scheme of Studies for Class X

33%

Typical minimum pass in theory and practical separately (confirm circular)

PSEB examination scheme notes

3 ragas

Bhupali, Khamaj, and Bhairav in the Class 10 vocal syllabus

PSEB Music Vocal 2026-27 syllabus

3 talas

Ektal, Rupak, and Chautal prescribed for Matric Music Vocal

PSEB Music Vocal 2026-27 syllabus

MCQ study aid

This bank adapts theory to four-option MCQs; official assessment is mixed theory plus practical

OpenExamPrep assessment-format policy for non-pure-MCQ boards

PSEB Matric Music Vocal is Punjab’s Class 10 Music Vocal elective: Theory 45 + Practical 50 + INA 5 = 100 marks. Pass at least 33% theory and practical separately (confirm circular). Fee as per PSEB notification. This site offers free English MCQ theory practice with explanations—not a full mixed-paper or practical simulation.

Sample PSEB Matric Music Vocal Practice Questions

Try these sample questions to review concepts for the PSEB Matric Music Vocal exam. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1In Hindustani music theory, a saptak is best described as:
A.A cycle of seven basic swaras from Sa to Ni (with the upper Sa completing the octave span)
B.Only a 12-matra tala theka
C.Only a dance mudra set
D.A Western brass ensemble only
Explanation: Saptak is the seven-note scale span (Sa Re Ga Ma Pa Dha Ni) that frames pitch space; the next Sa marks the next saptak.
2Which pair correctly identifies the achal (immovable) swaras in the standard Hindustani system?
A.Only komal Re and teevra Ma
B.Sa and Pa — they do not take komal or teevra forms
C.Only Ga and Ni
D.Only Dha and Ma
Explanation: Sa and Pa are achal: they remain fixed reference pitches and do not appear as komal or teevra variants.
3Chal swaras are those that:
A.Never appear in any raga
B.Exist only on Western staff lines
C.Can take komal and/or teevra forms (such as Re, Ga, Ma, Dha, Ni)
D.Are only percussion bols
Explanation: Chal swaras may shift: Re, Ga, Dha, Ni can be komal; Ma can be teevra (in addition to shuddha).
4An alankar in vocal training is primarily:
A.Only a tabla theka name
B.Only a stage lighting cue
C.A ban on using Sa
D.A patterned sequence of swaras practised for accuracy, agility, and voice control
Explanation: Alankars are systematic swara patterns (e.g., SaReGa, ReGaMa…) used as riyaaz exercises.
5In classical theory, a shruti is best understood as:
A.A microtonal pitch unit finer than the twelve named swara positions; classically 22 shrutis are discussed in an octave
B.Only a full 16-beat tala
C.Only a folk drum of Punjab
D.A written board circular only
Explanation: Shruti denotes micro-interval pitch space; traditional texts speak of 22 shrutis within the saptak.
6Thah (or barabar) laya refers to:
A.Always four times the basic speed only
B.Playing or singing the theka/composition at its basic one-matra-per-beat speed
C.Silence for an entire aavartan only
D.Only Western 4/4 drum fills
Explanation: Thah is the fundamental speed: one theka matra aligned to one beat unit of the chosen tempo.
7Dugun laya means the material is presented at:
A.Half the basic speed only
B.Exactly the same speed as thah always
C.Double speed relative to thah (two units per beat of the base cycle)
D.Only random free tempo with no relation to matra
Explanation: Dugun doubles the density: what took one aavartan in thah fills half the time, or twice the bols per beat.
8A vakra swar (or vakra chalan) indicates that a note is used:
A.Only in strict straight ascending order always
B.Only as a percussion stroke
C.Never in any prescribed Class 10 raga
D.In a zig-zag or non-linear approach rather than pure scalar aroha–avaroha
Explanation: Vakra movement twists the path (e.g., approaching a note via a neighbour) instead of pure step-wise ascent/descent.
9In a bandish, the sthai (sthayi) is typically:
A.The opening section set mainly in the lower/middle register that returns as a refrain
B.Only the final silent pause after the concert
C.Only the tabla solo theka without melody
D.A thaat name invented by Bhatkhande
Explanation: Sthai is the principal refrain section of a composition, usually grounded in the lower–middle saptak.
10The antara of a khayal bandish usually:
A.Avoids all higher notes by rule
B.Explores higher-register phrases, often emphasizing the upper Sa region, before returning to the sthai
C.Is only a tala name with 7 matras
D.Replaces the need for any raga rules
Explanation: Antara contrasts the sthai by moving into the upper register and is followed by a return to the refrain.

About the PSEB Matric Music Vocal Exam

The Punjab PSEB Matric Music (Vocal) examination is the Class 10 Music Vocal elective conducted by the Punjab School Education Board. Full marks are 100: Theory 45 + Practical 50 + Internal Assessment (INA) 5. Theory covers core Hindustani definitions, Bhatkhande's thaat system and notation, tanpura, khayal forms, song types (bhajan, shabad, lok geet), singer qualities and faults, Punjab folk instruments, Tansen, and classical introduction to Raag Bhupali, Khamaj, and Bhairav plus Ektal, Rupak, and Chautal. Practical weight is high (50 marks). The official theory paper is mixed written format, not pure multiple-choice. The 100 questions on this page are an English-language MCQ theory study adaptation for concept drills and self-assessment; they do not replace riyaaz or practical credit.

Exam sponsor: Punjab School Education Board (PSEB). The requirements and fees below concern the certification or admission exam, separate from our free practice resources.

Assessment

Official: Theory 45 + Practical 50 + INA 5 = 100 marks (elective). Theory Part A: definitions (saptak, chal/achal swar, alankar, shruti, thah, dugun, vakra, sthai–antara), thaat rules and Bhatkhande's ten thaats, khayal forms, tanpura, Bhatkhande swar/tala notation, bhajan/shabad/lok geet, gayak gun–dosh, thaat–raga comparison, Punjab folk instruments, Tansen biography. Theory Part B: Bhupali, Khamaj, Bhairav (aroha–avaroha, pakad, chhota/bada khayal with notation); Ektal, Rupak, Chautal. Practical: student- and examiner-choice khayal with alap–taan, tala bols on hand, raga recognition from phrases, bhajan/shabad/lok geet, folk/patriotic and national songs on harmonium. Local bank: English MCQ theory study adaptation with explanations.

Time Limit

As per PSEB Matric timetable for theory; practical per school/board schedule

Passing Score

At least 33% in theory and practical separately; aggregate with internal assessment per PSEB scheme (confirm current circular)

Exam / Certification Fees

As per PSEB annual Matriculation examination fee notification (school/private candidate forms on pseb.ac.in)

Exam sponsor website

Reported exam pass rate: Overall Matric pass percentages are published with each PSEB result; no fixed standing subject-wise Music Vocal pass-rate figure is used here.. Exam sponsor website

Fees, eligibility, and exam policies can change. Confirm them with the exam sponsor before applying or paying.

Our practice resources: topics covered

We aim to reflect publicly available exam outlines and topic information in our study resources. Coverage, format, and difficulty may differ from the actual exam, and we cannot guarantee that every detail is accurate or current. Confirm exam requirements, fees, and policies with the official exam sponsor.

Theory Part A

Definitions, Thaat, Forms & Culture

Saptak, chal/achal swar, alankar, shruti, thah, dugun, vakra swar, sthai–antara; Bhatkhande ten thaats; khayal forms; tanpura; notation; bhajan/shabad/lok geet; gayak gun–dosh; thaat–raga comparison; Punjab folk instruments; Tansen.

Theory Part B

Prescribed Ragas & Talas

Bhupali, Khamaj, and Bhairav: identification, aroha–avaroha, pakad, chhota/bada khayal with swarlipi. Ektal, Rupak, and Chautal: structure and notation.

50 marks practical + 5 INA

Practical & Internal Assessment

Performance of khayal with alap–taan, tala bols with hand, raga recognition from phrases, bhajan/shabad/lok geet, folk/patriotic song and national anthem/song on harmonium, plus school INA. Not simulated by this MCQ bank.

Preparing for the PSEB Matric Music Vocal Exam

What You Need to Know

  • Passing score: At least 33% in theory and practical separately; aggregate with internal assessment per PSEB scheme (confirm current circular)
  • Assessment: Official: Theory 45 + Practical 50 + INA 5 = 100 marks (elective). Theory Part A: definitions (saptak, chal/achal swar, alankar, shruti, thah, dugun, vakra, sthai–antara), thaat rules and Bhatkhande's ten thaats, khayal forms, tanpura, Bhatkhande swar/tala notation, bhajan/shabad/lok geet, gayak gun–dosh, thaat–raga comparison, Punjab folk instruments, Tansen biography. Theory Part B: Bhupali, Khamaj, Bhairav (aroha–avaroha, pakad, chhota/bada khayal with notation); Ektal, Rupak, Chautal. Practical: student- and examiner-choice khayal with alap–taan, tala bols on hand, raga recognition from phrases, bhajan/shabad/lok geet, folk/patriotic and national songs on harmonium. Local bank: English MCQ theory study adaptation with explanations.
  • Time limit: As per PSEB Matric timetable for theory; practical per school/board schedule
  • Exam / certification fees: As per PSEB annual Matriculation examination fee notification (school/private candidate forms on pseb.ac.in) Official sources

Using Our Practice Resources

  • Work through all 100 available questions
  • Review every answer and explanation
  • Track weak areas and revisit them
  • Use our AI tutor for tough concepts

PSEB Matric Music Vocal: Suggested Study Strategy

1Build one-page charts for Bhupali, Khamaj, and Bhairav with thaat, jaati, vadi–samvadi, samay, aroha–avaroha, and pakad before drilling MCQs.
2Clap and count Ektal (12), Rupak (7), and Chautal (12) until sam, taali, and khali positions are automatic on hand in thah and dugun.
3Draw the tanpura and label tumba, dand, strings, and bridge; practise explaining its drone role in two short paragraphs.
4Memorise Bhatkhande's ten thaat names and which prescribed raga belongs to which thaat (Kalyan/Bhupali, Khamaj/Khamaj, Bhairav/Bhairav).
5Link each definition (saptak, chal/achal, shruti, alankar, sthai–antara) to one concrete classroom example so long answers are ready.
6Pair every MCQ set with short riyaaz notes: two aalap and two taan ideas per raga, plus one bhajan, shabad, or folk line — MCQs build recognition, not performance marks.

Frequently Asked Questions

Is the official PSEB Matric Music Vocal exam multiple-choice?

No. Official Music (Vocal) is Theory 45 + Practical 50 + Internal Assessment (INA) 5. Theory is a written paper with definitions, charts, and notation work; practical is performance and viva. The 100 questions on this page are an English-language MCQ theory study adaptation only — not a full simulation of the official paper or practical exam.

What is the full marks split for PSEB Music Vocal?

Full marks are 100: Theory 45 + Practical 50 + Internal Assessment (INA) 5. Confirm the exact timetable and any design updates on pseb.ac.in for your examination year.

What is the passing score for PSEB Matric Music Vocal?

Under typical PSEB scheme notes for theory–practical subjects, candidates must secure at least 33% in theory and practical separately; no separate minimum is required in internal assessment alone, but 33% is needed in the subject aggregate including INA. Verify the latest Board regulations and circulars for your session.

Which ragas and talas are prescribed for Class 10 Music Vocal?

Per the PSEB 2026-27 Music Vocal syllabus, prescribed ragas are Bhupali (Bhopali), Khamaj, and Bhairav. Prescribed talas are Ektal (Ikk Taal), Rupak, and Chautal, including thah and dugun with presentation on hand in practical work.

How much does the PSEB Matric Music Vocal exam cost?

Music Vocal is not separately priced as a standalone fee figure on this page. Pay as per the PSEB annual Matriculation examination fee notification for school or private candidates through forms on pseb.ac.in. Do not rely on unofficial fixed rupee amounts.

How should I use this free MCQ bank for a theory-plus-practical subject?

Use these MCQs for daily concept drills on definitions, thaat, raga charts, tala structure, tanpura, notation, Tansen, and folk instruments. Also complete full written answers from PSEB-style model items and sustain practical riyaaz (khayal with alap–taan, tala on hand, bhajan/shabad/folk, national songs on harmonium) for the 50-mark practical.

Where can I find the official syllabus?

Use the Punjab School Education Board portal at https://www.pseb.ac.in and the Class 10 Music Vocal syllabus PDF (2026-27) published by PSEB. Always prefer the current year’s official PDF over third-party summaries.