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100+ Free Maharashtra SSC Indian Music Vocal & Instrumental Divyang Practice Questions
Maharashtra Secondary School Certificate (SSC / Class 10) Indian Music (Vocal and Instrumental) — MSBSHSE Divyang / Work Education subject (commonly code M3; confirm hall ticket) practice questions are available now; exam metadata is being verified.
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Sample Maharashtra SSC Indian Music Vocal & Instrumental Divyang Practice Questions
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1In Indian classical music, the seven basic shuddha (natural) swaras are commonly sung as:
A.Do Re Mi Fa Sol La Ti
B.Sa Re Ga Ma Pa Dha Ni
C.C D E F G A B only
D.Ta Dhi Na Dhin
Explanation: The seven basic shuddha swaras are Sa, Re, Ga, Ma, Pa, Dha, and Ni (Shadja, Rishabh, Gandhar, Madhyam, Pancham, Dhaivat, Nishad).
2What is sargam practice mainly intended to train?
A.Only stage costume design
B.Accurate pitch and sequence of swaras using solfa syllables
C.How to repair a tabla skin
D.Writing film dialogue
Explanation: Sargam means singing or playing notes with their swara names (Sa, Re, Ga…), which builds pitch accuracy and note-order fluency.
3Which two swaras are traditionally treated as achal (fixed) and do not take komal or teevra forms?
A.Re and Dha
B.Ga and Ni
C.Sa and Pa
D.Ma and Ga
Explanation: Shadja (Sa) and Pancham (Pa) are achal swaras—stable reference points without komal or teevra variants in standard theory.
4In common Indian music usage, a saptak means:
A.A set of seven matras only
B.One octave span covering the seven swaras from Sa to Ni (and the next Sa)
C.A type of dance costume
D.A single drum stroke
Explanation: Saptak is the octave register containing the seven swaras; practice often names mandra, madhya, and tar saptak.
5Which swara name corresponds to Madhyam?
A.Sa
B.Ma
C.Pa
D.Ni
Explanation: Madhyam is the fourth basic swara, sung as Ma.
6A komal swara is best described as:
A.A note sung slightly flatter (lower) than its shuddha form
B.Always louder than every other note
C.A note that can only be played on tabla
D.Any note in tar saptak
Explanation: Komal means the flattened variant of certain swaras (commonly Re, Ga, Dha, Ni) relative to the shuddha pitch.
7Teevra Ma means:
A.Madhyam sung/played sharper (higher) than shuddha Ma
B.Madhyam removed completely from every raga
C.Only the lower octave Sa
D.A tabla theka name
Explanation: Among the seven swaras, Madhyam alone takes a teevra (sharpened) form; teevra Ma is higher than shuddha Ma.
8Mandra saptak refers to:
A.The lower octave register
B.Only the highest possible whistle pitch
C.A type of tala with 16 matras
D.A dance mudra
Explanation: Mandra saptak is the lower register; madhya is middle; tar is higher.
9When practising ascending sargam from Sa to upper Sa, the movement is called:
A.Avaroh
B.Aaroh (aroha)
C.Sam only
D.Khatka only
Explanation: Aaroh/aroha is the ascending order of swaras; avaroh/avaroha is descending.
10Alankar (swara patterns) are useful in early training because they:
A.Replace the need for any teacher forever
B.Build voice/instrument control through repeated ordered note patterns
C.Are only costume decorations
D.Measure room temperature
Explanation: Alankars are patterned sequences of swaras that train accuracy, agility, and even tone when practised carefully.
About the Maharashtra SSC Indian Music Vocal & Instrumental Divyang Practice Questions
Verified exam format metadata for Maharashtra Secondary School Certificate (SSC / Class 10) Indian Music (Vocal and Instrumental) — MSBSHSE Divyang / Work Education subject (commonly code M3; confirm hall ticket) is pending. The practice questions above remain available while official exam length, timing, passing score, fee, and administrator details are reviewed.