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100+ Free Odisha CHSE +2 Vocational Graphic Art Practice Questions

Council of Higher Secondary Education, Odisha — Higher Secondary (+2) Vocational Graphic Art practice questions are available now; exam metadata is being verified.

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2026 Statistics

Key Facts: Odisha CHSE +2 Vocational Graphic Art Exam

Graphic Art trade

CHSE Odisha +2 vocational Graphic Art (Visual Art area, Part-1-3)

CHSE Part-1-3 Vocational Courses catalog

40 + 60

Theory Full Marks 40 and Practical Full Marks 60 per trade paper in Part-1-3 scheme

CHSE Odisha Vocational Courses Part-III scheme of studies

~2 h / ~3 h

About 2 hours for 40-mark theory; about 3 hours for 60-mark practical (confirm timetable)

CHSE Part-1-3 examination duration table

Papers I–IV

Compulsory Fundamentals I/III for all Visual Art trades; Graphic Art–specific II/IV for process, history, heritage, Western units

Part-1-3 Visual Art / Graphic Art syllabus pages

CHSE Odisha

Council of Higher Secondary Education, Odisha administers AHSE / vocational examinations

chseodisha.nic.in

MCQ adaptation

This bank trains theory/visual-literacy knowledge only—not practical replacement

OpenExamPrep study adaptation disclosure

CHSE Odisha +2 vocational Graphic Art: theory 40 + practical 60 per trade paper under Part-1-3 (confirm circular). Covers fundamentals, colour/Navarasa, print processes, Indian & Odisha heritage, Leonardo/Dürer/Cubism. Free 2026 MCQ bank is a theory study adaptation—not a practical skill-evidence replacement.

Sample Odisha CHSE +2 Vocational Graphic Art Practice Questions

Try these sample questions to test your Odisha CHSE +2 Vocational Graphic Art exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1In CHSE Visual Art fundamentals, a continuous mark made by a moving point is called a:
A.Hue
B.Line
C.Volume
D.Medium
Explanation: A line is the path of a moving point—the most basic graphic element used to define edges, contours, direction, and structure in drawing and print composition.
2Which pair correctly matches an element of art with its meaning in graphic composition?
A.Balance — always means perfect bilateral symmetry only
B.Shape — a two-dimensional enclosed area defined by edges or contrast
C.Texture — the pure name of a colour without value
D.Space — exclusively the chemical solvent used to thin ink
Explanation: Shape is a 2D enclosed area. Balance includes formal (symmetrical) and informal (asymmetrical) equilibrium; texture is surface quality; space is positive/negative spatial relationship on the picture plane.
3Formal balance in composition typically means:
A.Random placement with no regard for visual weight
B.Approximate visual weight distributed equally on either side of a central axis (symmetry)
C.Using only warm colours in one corner of the design
D.Filling every part of the paper so no negative space remains
Explanation: Formal (symmetrical) balance arranges equal or near-equal visual weight about a central axis. Informal balance uses unequal elements that still feel stable through contrast, position, or value.
4Informal balance is best described as:
A.Only using identical mirror images on both sides
B.Asymmetrical arrangement where unequal elements still achieve visual equilibrium
C.A composition with no centre of interest
D.A rule that forbids contrast of size or value
Explanation: Informal (asymmetrical) balance uses different sizes, values, or positions so overall weight still feels stable—common in dynamic graphic compositions and paper-cut designs.
5Rhythm in a graphic design or print composition primarily refers to:
A.The exact chemical drying time of oil-based ink
B.Repetition or ordered movement of elements that guides the eye through the work
C.Only the beat of music played in the studio
D.A requirement to use only straight lines
Explanation: Visual rhythm is created by repeating lines, shapes, values, or motifs so the viewer’s eye moves with a sense of flow—Paper I lists rhythm among core fundamentals.
6In perspective drawing for still life or outdoor study, linear perspective is mainly used to:
A.Mix primary pigments into secondary hues
B.Create the illusion of depth by making parallel edges appear to converge toward vanishing points
C.Measure the fusing current of a workshop fuse
D.Guarantee that all objects are drawn at the same absolute size
Explanation: Linear perspective uses vanishing points and converging parallels to suggest recession in space—essential for still-life and outdoor study on Paper I practicals.
7Proportion in figure and still-life study means:
A.Only the price of drawing paper
B.The comparative size relationship of parts to each other and to the whole
C.A fixed rule that every object must occupy half the page
D.The chemical proportion of linseed oil in printing ink only
Explanation: Proportion is relative size—head-to-body ratios in figure study, or object-to-object scale in still life—listed with perspective and composition in Paper I Unit II.
8Tone (value) in monochrome drawing mainly describes:
A.Only the pure name of a colour such as ‘red’ or ‘blue’
B.The lightness or darkness of areas from white through greys to black
C.The brand name of a pencil manufacturer
D.Whether a print is editioned or unique
Explanation: Tone/value is the light–dark scale. Monochrome pencil and watercolour studies (Paper I–II practicals) train students to model form with tonal gradation rather than colour alone.
9Texture in drawing or printmaking can be:
A.Only the price list of textured papers
B.Actual surface quality of a material or the visual suggestion of surface through marks
C.A synonym for pure hue with no value change
D.Forbidden in woodcut and linocut
Explanation: Texture may be tactile (paper grain, ink relief) or visual (hatching, stippling that suggests roughness or smoothness). Relief prints often exploit both.
10Light and shade (chiaroscuro modelling) help a student primarily to:
A.Replace the need for any outline forever
B.Suggest three-dimensional form on a flat surface by mapping highlights, mid-tones, and shadows
C.Convert every composition into pure geometry only
D.Eliminate the use of perspective
Explanation: Light-and-shade study maps how light falls on forms—core Paper I Unit II content supporting still-life, antique, and figure drawing.

About the Odisha CHSE +2 Vocational Graphic Art Practice Questions

Verified exam format metadata for Council of Higher Secondary Education, Odisha — Higher Secondary (+2) Vocational Graphic Art is pending. The practice questions above remain available while official exam length, timing, passing score, fee, and administrator details are reviewed.