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100+ Free Odisha CHSE +2 Vocational Flute / Violin / Sitar Practice Questions

Council of Higher Secondary Education, Odisha — Higher Secondary (+2) Vocational Trade: Flute / Violin / Setar (FLUIS) (Performing Arts Area) practice questions are available now; exam metadata is being verified.

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2026 Statistics

Key Facts: Odisha CHSE +2 Vocational Flute / Violin / Sitar Exam

Theory 40 + Practical 60

Official mark split per FLUIS vocational trade paper (Full Marks 100 per paper)

CHSE Odisha Vocational Courses Part-III scheme of studies

200 marks/year

Trade subject total (Papers I–II Year 1; Papers III–IV Year 2)

CHSE Odisha Vocational Courses Part-III

FLUIS

Official trade code/title grouping Flute / Violin / Setar in Part-1-3.pdf

CHSE Odisha Part-1-3.pdf

~2 h theory / ~3 h practical

Typical duration table for 40-mark theory and 60-mark practical papers

CHSE Odisha Vocational Courses Part-III duration table

AHSE package fee

No separate public per-trade marketplace fee; fees via enrollment/form-fill-up as notified

CHSE Odisha AHSE fee notifications

English MCQ study aid

This bank adapts theory knowledge only and does not certify performance

OpenExamPrep practice design

Free 100-question English MCQ study bank for Odisha CHSE +2 Vocational Flute/Violin/Sitar (FLUIS). Official trade is 200 marks/year (Papers I–IV; each Theory 40 + Practical 60; theory ~2 h, practical ~3 h). Fee is part of the AHSE package as notified. Theory-knowledge only—practical/viva not replaced. Sources: chseodisha.nic.in Part-1-3.pdf and AHSE fee notifications.

Sample Odisha CHSE +2 Vocational Flute / Violin / Sitar Practice Questions

Try these sample questions to test your Odisha CHSE +2 Vocational Flute / Violin / Sitar exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1In FLUIS applied theory, Nada is best described as:
A.Musically usable sound discussed with qualities such as pitch, timbre, and magnitude
B.Only the written staff-notation rest symbol
C.Any random environmental noise without musical use
D.A membrane-drum family name only
Explanation: Paper II Unit I treats Nada as musical sound and lists three qualities (pitch, timber/timbre, magnitude). Dhwani is broader sound; nada is the musically useful layer.
2Which statement best distinguishes Dhwani from Nada in elementary music acoustics?
A.Dhwani and Nada are identical terms for tala only
B.Dhwani is general sound; Nada is musical sound usable in sangeet
C.Dhwani means only instrumental frets; Nada means only vocal lyrics
D.Dhwani is a 16-matra tala; Nada is a 10-matra tala
Explanation: Paper II asks varieties of Dhwani and Nada. Standard theory treats dhwani as sound broadly and nada as the pitched/musical component used in performance.
3The three qualities of Nada emphasised in FLUIS Paper II acoustics are:
A.Aroha, avaroha, and pakad only
B.Sam, khali, and vibhag only
C.Pitch, timber (timbre), and magnitude (loudness)
D.Sthayee, antara, and abhog only
Explanation: The syllabus lists three qualities of Nada: Pitch, Timber, Magnitude (standard acoustics triad of frequency, tone colour, and intensity).
4The seven basic shuddha swaras of the Indian sargam are:
A.Do Re Mi Fa Sol La Ti only as Indian names
B.Sa Re Ga only, with no upper notes
C.Ta Dhi Na Dhin Tun only
D.Sa Re Ga Ma Pa Dha Ni
Explanation: The seven shuddha swaras are Sa, Re, Ga, Ma, Pa, Dha, and Ni. They form the basis of sargam, thaat, and raga construction taught across FLUIS theory papers.
5Sruti in classical Indian music theory primarily refers to:
A.The microtonal pitch unit finer than a full swara interval
B.A wind-instrument family name
C.The stage curtain used in dance dramas
D.A complete 16-matra tala cycle only
Explanation: Paper IV requires comparative study of sruti and swara. Sruti denotes microtonal divisions of the octave from which swaras are selected.
6In Indian music theory, saptaka means:
A.A type of double-reed solo instrument
B.A group of seven swaras spanning an octave register
C.The written signature of a composer only
D.A five-matra folk tala only
Explanation: Saptaka is the seven-swara octave framework. Theory distinguishes Mandra (lower), Madhya (middle), and Tara (upper) saptakas.
7Which listing correctly orders the three saptaka registers from lower to higher?
A.Tara → Madhya → Mandra
B.Madhya → Tara → Mandra
C.Mandra → Madhya → Tara
D.Only Madhya exists in classical theory
Explanation: Mandra is the lower octave, Madhya the middle (most commonly used), and Tara the upper octave. Instrumentalists shift across these registers in gat and tan work.
8Vadi and Samvadi in raga theory refer to:
A.Western major and minor keys only
B.Only the first and last matras of every tala
C.Two types of tabla drums only
D.The most important (sonant) note and its consonant counterpart in a raga
Explanation: Paper II definitions include Badi/Sambadi (Vadi/Samvadi). Vadi is the principal note of a raga; Samvadi is the secondary consonant note that supports it.
9Anuvadi and Vivadi (Bibadi) notes in a raga are best understood as:
A.Assonant supporting notes versus dissonant/avoided notes relative to the raga's structure
B.Two names for the same 8-matra tala
C.Only the names of sitar frets
D.Only vocal ornament symbols with no pitch meaning
Explanation: Paper IV lists Anubadi and Bibadi among definitions. Anuvadi notes are consonant/supporting; vivadi notes are dissonant or carefully restricted relative to the raga grammar.
10Aroha and Avaroha of a raga denote:
A.Only the opening and closing bols of a theka
B.The ascending and descending note-paths that characterise the raga
C.Two types of violin bows
D.Only the fee and timetable of AHSE
Explanation: Paper II definitions include Aroha and Abaroha. They are the characteristic ascending and descending movements used to identify and perform a raga.

About the Odisha CHSE +2 Vocational Flute / Violin / Sitar Practice Questions

Verified exam format metadata for Council of Higher Secondary Education, Odisha — Higher Secondary (+2) Vocational Trade: Flute / Violin / Setar (FLUIS) (Performing Arts Area) is pending. The practice questions above remain available while official exam length, timing, passing score, fee, and administrator details are reviewed.