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100+ Free Odisha CHSE +2 Vocational Drama Practice Questions

Council of Higher Secondary Education, Odisha — Higher Secondary (+2) Vocational Drama practice questions are available now; exam metadata is being verified.

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2026 Statistics

Key Facts: Odisha CHSE +2 Vocational Drama Exam

Drama trade

CHSE Odisha +2 vocational Drama (Performing Arts, Part-III)

CHSE Part-1-3 Vocational Courses catalog

40 + 60

Theory Full Marks 40 and Practical Full Marks 60 per trade paper in Part-1-3 scheme

CHSE Odisha Vocational Courses Part-III scheme of studies

~2 h / ~3 h

About 2 hours for 40-mark theory; about 3 hours for 60-mark practical (confirm timetable)

CHSE Part-1-3 examination duration table

Papers I–IV

Indian Drama + Theatre Architecture theory with acting/craft practicals across two years

Part-1-3 Drama syllabus pages

Bhata

Prescribed modern Odia play by Kabichandra Kalicharan Pattanayak (Paper III)

CHSE Part-1-3 Drama Paper III

CHSE Odisha

Council of Higher Secondary Education, Odisha administers AHSE / vocational examinations

chseodisha.nic.in

MCQ adaptation

This bank trains theory knowledge only—not practical acting/production replacement

OpenExamPrep study adaptation disclosure

CHSE Odisha +2 vocational Drama: theory 40 + practical 60 per trade paper under Part-1-3 (confirm circular). Covers Natyashastra, Odisha/modern drama, acting, architecture, lighting/makeup, western origins, organisations. Free 2026 MCQ bank is a theory study adaptation—not a practical skill-evidence replacement.

Sample Odisha CHSE +2 Vocational Drama Practice Questions

Try these sample questions to test your Odisha CHSE +2 Vocational Drama exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1According to classical tradition, who is the celebrated author (compiler) of the Natyashastra, the foundational treatise of Indian dramaturgy?
A.Bharata Muni
B.Kalidasa
C.Valmiki
D.Panini
Explanation: The Natyashastra is attributed to Bharata Muni. CHSE Drama Paper I opens with a brief idea of this famous text and its author—core classical-theatre theory for vocational Drama.
2In Natyashastra Chapter I, the origin of drama (Natyaotpati / Natya-utpatti) is framed primarily as:
A.A purely modern commercial invention of 19th-century Calcutta
B.A divine gift of the fifth Veda (Natya Veda) created for the benefit of all people including those barred from the four Vedas
C.A Greek import first staged only after Alexander’s invasion
D.An electrical-lighting technique for proscenium stages
Explanation: Classical theory presents Natya as a fifth Veda synthesized for universal instruction and entertainment—exactly the Natyaotpati material in Paper I Classical Theatre.
3In the classical origin narrative, the first play is associated with Indra’s banner festival and the sacred pole known as:
A.Tabla
B.Cyclorama
C.Jarjara
D.Prompt book
Explanation: Natyashastra tradition links the first performance to Dhwaja Utsav (Indra’s banner festival) and the ceremonial Jarjara—explicit Paper I Classical Theatre points.
4Which classical Sanskrit dramatist is most famously associated with Abhijnanashakuntalam?
A.Sudraka
B.Vishakhadatta
C.Harsha
D.Kalidasa
Explanation: Kalidasa’s Abhijnanashakuntalam is among the most celebrated classical Sanskrit plays—standard ‘famous dramatists and notable works’ content for Paper I.
5Mricchakatika (The Little Clay Cart) is traditionally attributed to:
A.Sudraka
B.Bhasa
C.Bhavabhuti
D.Bharata Muni
Explanation: Sudraka’s Mricchakatika is a key classical title students should match to its author under famous dramatists/works.
6Svapnavasavadattam is a celebrated classical play associated with which dramatist?
A.Kalidasa
B.Bhasa
C.Shudraka only as a 20th-century Odia author
D.Euripides
Explanation: Bhasa’s Svapnavasavadattam is a standard classical pairing for Paper I dramatist–work matching.
7Mudrarakshasa, a political intrigue play of the classical Sanskrit tradition, is associated with:
A.Kalidasa
B.Bharata Muni
C.Vishakhadatta
D.Kabichandra Kalicharan Pattanayak
Explanation: Vishakhadatta’s Mudrarakshasa is a classic political drama title for the famous-dramatists unit.
8In second-year Classical Theatre theory, Purvaranga (Purbaranga) refers mainly to:
A.Only the final curtain call after a modern musical
B.A type of spotlight gel used for glamour lighting
C.The box-office accounting system of a commercial tour
D.The preliminary ritual/performance procedures performed before the main play
Explanation: Paper III requires study of Purvaranga karmas—the pre-play preliminaries of classical performance practice.
9Natyamandapa in Natyashastra terminology primarily denotes:
A.The playhouse / theatre pavilion designed for performance
B.Only a modern cinema projector booth
C.A type of greasepaint foundation shade
D.The actor’s personal diary of 5 Ws
Explanation: Paper III Classical Theatre studies parts, types, measurements, and construction of the Natyamandapa—the classical playhouse.
10Classical Natyashastra tradition commonly classifies playhouse ground-plans into types such as:
A.Only IMAX, Dolby Atmos, and thrust thrustless
B.Vikrishta (rectangular), Chaturasra (square), and Tryasra (triangular)
C.Only proscenium, cinema, and television studio
D.Only open-air football stadium forms
Explanation: Types and measurements of Natyamandapa (including rectangular/square/triangular families) are explicit Paper III Classical Theatre content.

About the Odisha CHSE +2 Vocational Drama Practice Questions

Verified exam format metadata for Council of Higher Secondary Education, Odisha — Higher Secondary (+2) Vocational Drama is pending. The practice questions above remain available while official exam length, timing, passing score, fee, and administrator details are reviewed.