All Practice Exams

Free Practice Questions for BSEH Secondary Dance

Exam-style questions and explanations by OpenExamPrep.

✓ No registration✓ No credit card
100+ Questions
100% Free

Loading practice questions...

Exam Review

Key Facts: BSEH Secondary Dance Exam

121

BSEH Secondary Dance (All Options) subject code

Board of School Education Haryana Class 10 syllabus

20 + 60 + 20

Theory + Practical + Internal Assessment marks (total 100)

BSEH Secondary Dance examination pattern

2h 30m

Approximate theory paper duration (confirm current QPD)

BSEH Secondary Dance question-paper design

33%

Minimum pass in aggregate and separately in external exam

BSEH examination regulations

7 theory units

Ang chalana, modern dance, rasa-tandava-lasya, Bharatanatyam-Kathakali, Kathak, terminology, Teentaal

BSEH Class 10 Dance syllabus structure

MCQ study aid

This bank adapts theory to four-option MCQs; official assessment is mixed theory plus practical

OpenExamPrep assessment-format policy for non-pure-MCQ boards

BSEH Secondary Dance (Code 121) is Haryana’s Class 10 Dance elective: Theory 20 + Practical 60 + IA 20 = 100 marks. Pass at least 33% aggregate and 33% in external. Fee as per BSEH notification. This site offers free English MCQ theory practice—not a practical or full mixed-paper simulation.

Sample BSEH Secondary Dance Practice Questions

Try these sample questions to review concepts for the BSEH Secondary Dance exam. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1In classical Indian dance theory, which term refers to the major limbs of the body such as the head, hands, chest, sides, waist, and feet?
A.Anga
B.Pratyanga
C.Upanga
D.Bhava
Explanation: Anga are the major body parts (head, hands, chest, sides, waist, feet) whose controlled use is central to angika abhinaya and BSEH ang-chalana theory.
2Which of the following is correctly classified as an upanga in traditional dance body vocabulary?
A.Chest (vaksha)
B.Eyes (netra)
C.Waist (kati)
D.Feet (pada)
Explanation: Eyes (netra) are treated as upanga—fine expressive parts—while chest, waist, and feet are major anga.
3Netra-chalana in BSEH Dance theory primarily trains which skill?
A.Controlled and expressive use of the eyes
B.Only foot-stamping speed
C.Costume draping
D.Stage lighting design
Explanation: Netra-chalana is eye movement practice used for expression and focus in angika abhinaya.
4Pad-chalana refers to practice and control of which body region?
A.Feet and footwork
B.Only neck rotations
C.Only eyebrow movement
D.Only wrist circles
Explanation: Pad-chalana means foot operations—placement, steps, and controlled footwork supporting nritta and rhythm.
5Griva-chalana focuses on mobility and expression of the:
A.Neck
B.Knees only
C.Fingers only
D.Ankles only
Explanation: Griva means neck; griva-chalana develops neck positions and transitions used in classical styles.
6In the classical triad of body divisions used in dance theory, pratyanga typically includes which group?
A.Shoulders, arms, back, belly, thighs, and shanks
B.Only the six major limbs called anga
C.Only eyes, eyebrows, and lips
D.Only the rasa categories
Explanation: Pratyanga are intermediate/secondary body parts such as shoulders, arms, back, belly, thighs, and shanks connecting major anga action.
7According to Indian performing-arts foundations often taught with dance theory, sangeet classically unites which three arts?
A.Vocal music (gayan), instrumental music (vadan), and dance (nritya)
B.Only painting, sculpture, and architecture
C.Only grammar, logic, and rhetoric
D.Only drama scripts without music
Explanation: Traditional sangeet is the combined art of gayan, vadan, and nritya—music and dance as an integrated discipline.
8Why does the BSEH Dance syllabus study ang, pratyanga, and upanga operations 'according to music'?
A.Body movements should coordinate with rhythmic and melodic structure
B.Music is ignored during pure nritta
C.Only costumes must match the raag
D.Ang classification replaces tala entirely
Explanation: Ang-chalana is trained so limb actions align with rhythm, tempo, and musical phrasing rather than moving randomly.
9Which statement best distinguishes anga from upanga?
A.Anga are major limbs; upanga are finer facial/detail parts used for subtle expression
B.Anga are only hand mudras; upanga are only foot stamps
C.Anga and upanga are identical synonyms for rasa
D.Upanga are full-body leaps only
Explanation: Classical taxonomy separates large structural limbs (anga) from detailed expressive parts (upanga) such as eyes and brows.
10In angika abhinaya, which channel of expression is most directly built from anga, pratyanga, and upanga training?
A.Physical body gesture and movement
B.Only spoken dialogue without gesture
C.Only recorded soundtrack mixing
D.Only written exam calligraphy
Explanation: Angika abhinaya is expression through the body; limb classifications organize that training.

About the BSEH Secondary Dance Exam

The Haryana BSEH Secondary Dance examination is the Class 10 Dance (All Options) paper, subject code 121, conducted by the Board of School Education Haryana, Bhiwani. Full marks are 100: Theory 20, Practical 60, and Internal Assessment 20. Theory covers body movement in relation to music (anga, pratyanga, upanga; netra, pad, and griva operations), modern Indian dance origin and development (including Uday Shankar, Gopinath, and Rabindranath Tagore), rasa and bhava with Tandava and Lasya, classical styles Bharatanatyam and Kathakali (presentation order, costume, instruments), Kathak history and gharanas with biographies of Pt. Birju Maharaj and Pt. Sundar Prasad, Guru-Shishya tradition and technical terms (aamad, toda, tukda, tihai, paran, parmelu, gatbhav, gat nikas, vandana), and writing key compositions in Teentaal. The official theory paper is mixed format over about 2 hours 30 minutes; practical assessment is performance-based. The 100 questions on this page are an English-language multiple-choice study adaptation for theory concept drills only.

Exam sponsor: Board of School Education Haryana (BSEH). The requirements and fees below concern the certification or admission exam, separate from our free practice resources.

Assessment

Official: Theory 20 + Practical 60 + IA 20 = 100 marks, subject code 121 (Dance, All Options). Theory chapters include ang chalana with music, modern Indian dance, rasa-tandava-lasya, Bharatanatyam and Kathakali, Kathak history/gharanas, Guru-Shishya terminology, and Teentaal lipibaddh compositions. Practical typically includes tatkar & layakari, padhant, practical notebook, and oral/viva components (confirm current QPD on bseh.org.in). Local bank: English MCQ theory study adaptation with explanations.

Time Limit

About 2 hours 30 minutes (theory paper); practical separately scheduled

Passing Score

At least 33% in the subject aggregate and at least 33% separately in the external examination (BSEH regulations)

Exam / Certification Fees

As per BSEH annual examination fee notification (school/private candidate forms on bseh.org.in)

Exam sponsor website

Reported exam pass rate: Overall Secondary pass percentages are published with each BSEH result; no fixed standing subject-wise Dance pass-rate figure is used here.. Exam sponsor website

Fees, eligibility, and exam policies can change. Confirm them with the exam sponsor before applying or paying.

Our practice resources: topics covered

We aim to reflect publicly available exam outlines and topic information in our study resources. Coverage, format, and difficulty may differ from the actual exam, and we cannot guarantee that every detail is accurate or current. Confirm exam requirements, fees, and policies with the official exam sponsor.

10%

Body Movement & Ang Chalana

Sangeet definition in dance context; netra, pad, and griva operations; anga, pratyanga, and upanga — about 2 marks on the official theory paper.

10%

Modern Indian Dance

Origin and development of modern Indian dance; contributions of Uday Shankar, Gopinath, and Rabindranath Tagore — about 2 theory marks.

15%

Rasa, Bhava, Tandava & Lasya

Rasa/bhava types per Natyashastra and Abhinaya Darpana; definitions and types of Tandava and Lasya — about 3 theory marks.

15%

Bharatanatyam & Kathakali

Classical dance definition; Bharatanatyam and Kathakali presentation sequence, costumes, and instruments — about 3 theory marks.

20%

Kathak History & Gharanas

Kathak through ancient–modern periods; gharanas; costume/instruments/order; Pt. Birju Maharaj and Pt. Sundar Prasad — about 4 theory marks.

15%

Guru-Shishya & Terminology

Guru-Shishya parampara importance; aamad, toda, tukda, tihai, paran, parmelu, gatbhav, gat nikas, vandana — about 3 theory marks.

15%

Teentaal Theory & Notation Concepts

Writing/recognizing kavita, tihai, toda, paran, tukda in Teentaal and related layakari ideas for theory — about 3 theory marks. Practical tatkar/padhant are assessed separately (60 marks).

Preparing for the BSEH Secondary Dance Exam

What You Need to Know

  • Passing score: At least 33% in the subject aggregate and at least 33% separately in the external examination (BSEH regulations)
  • Assessment: Official: Theory 20 + Practical 60 + IA 20 = 100 marks, subject code 121 (Dance, All Options). Theory chapters include ang chalana with music, modern Indian dance, rasa-tandava-lasya, Bharatanatyam and Kathakali, Kathak history/gharanas, Guru-Shishya terminology, and Teentaal lipibaddh compositions. Practical typically includes tatkar & layakari, padhant, practical notebook, and oral/viva components (confirm current QPD on bseh.org.in). Local bank: English MCQ theory study adaptation with explanations.
  • Time limit: About 2 hours 30 minutes (theory paper); practical separately scheduled
  • Exam / certification fees: As per BSEH annual examination fee notification (school/private candidate forms on bseh.org.in) Official sources

Using Our Practice Resources

  • Work through all 100 available questions
  • Review every answer and explanation
  • Track weak areas and revisit them
  • Use our AI tutor for tough concepts

BSEH Secondary Dance: Suggested Study Strategy

1Build a terminology notebook for aamad, toda, tukda, tihai, paran, parmelu, gatbhav, gat nikas, and vandana with one-line definitions you can write from memory.
2Make a comparison chart of Bharatanatyam, Kathakali, and Kathak covering region, costume, instruments, and presentation order.
3Practise Teentaal composition writing (kavita, tihai, toda, paran, tukda) on paper even while using MCQs for recognition.
4Link rasa names to bhava examples and contrast Tandava (vigorous) vs Lasya (graceful) with syllabus examples.
5After MCQ revision, complete school practical notebook entries and padhant drills — theory MCQs do not replace the 60-mark practical.

Frequently Asked Questions

Is the official BSEH Secondary Dance exam multiple-choice?

No. BSEH Class 10 Dance (Code 121) is Theory 20 + Practical 60 + Internal Assessment 20. Theory uses mixed item types (objective, short, and long answers). Practical assesses performance (tatkar, layakari, padhant, notebook, viva). The 100 questions on this page are an English MCQ theory study adaptation only — not a full simulation of the official mixed paper or practical.

What is the full marks split for BSEH Secondary Dance?

Full marks are 100: Theory 20, Practical 60, and Internal Assessment 20. Confirm the exact question-paper design and datesheet on bseh.org.in for your examination year.

What is the passing score for BSEH Secondary Dance?

Under BSEH regulations, candidates must secure at least 33% in the subject aggregate and at least 33% separately in the external examination. Verify the latest Board regulations and circulars for your session, including any separate practical minima your school applies.

What topics does BSEH Class 10 Dance theory cover?

Theory chapters include body movement with music (ang/pratyanga/upanga), modern Indian dance pioneers, rasa-bhava with Tandava and Lasya, Bharatanatyam and Kathakali, Kathak history and gharanas, Guru-Shishya tradition with technical terms, and writing compositions in Teentaal.

How much does the BSEH Secondary Dance exam cost?

Dance is not separately priced as a standalone public marketplace fee on this page. Pay as per the BSEH annual examination fee notification for school or private candidates through forms on bseh.org.in.

How should I use this free MCQ bank for a performance-weighted subject?

Use these MCQs for daily theory drills on forms, rasa, terminology, and Teentaal concepts. Also rehearse practical tatkar, padhant, and compositions with your teacher, and practise written short/long answers from BSEH-style model papers.

Where can I find the official syllabus and question-paper design?

Use the Board of School Education Haryana portal at https://bseh.org.in and the Class 10 syllabus/QPD catalog (Dance PDF linked from the Secondary syllabus page). Prefer the current year’s official PDF over third-party summaries.