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100+ Free ASSEB HSLC Class 10 Elective Music Practice Questions

Prepare for the Assam Secondary School Leaving Certificate (HSLC) Class 10 Elective Music exam with instant access — no signup required.

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2026 Statistics

Key Facts: ASSEB HSLC Class 10 Elective Music Exam

70 Marks

Theoretical written paper allocation in ASSEB Class 10 Elective Music

ASSEB / SEBA Curriculum Specifications

30 Marks

Practical performance assessment allocation

ASSEB / SEBA Practical Guidelines

4 Classes

Organological classification of instruments: Tata, Sushira, Avanaddha, Ghana

Natya Shastra / Indian Musicology Standard

10 Thaats

Bhatkhande system of parent scales in Hindustani music

Hindustani Musicology Standard

2 Main Ojapali

Suknanni (Manasa worship) and Byaas (Epic narration) Ojapali traditions

Assamese Cultural Heritage Literature

30%

Minimum qualifying mark required to pass the subject

ASSEB HSLC Examination Rules

ASSEB HSLC Class 10 Elective Music tests core Indian classical music theory alongside Assam's unique musical heritage. This 100-question practice bank offers exhaustive MCQ practice across Swara, Raga, Tala, Musical Instruments, Borgeet, Bihu, and Ojapali with detailed explanations.

Sample ASSEB HSLC Class 10 Elective Music Practice Questions

Try these sample questions to test your ASSEB HSLC Class 10 Elective Music exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1What is musical sound called in Indian musicology, as distinguished from unpitched noise?
A.Shruti
B.Nada
C.Swara
D.Saptak
Explanation: In Indian musicology, sound that produces musical pitch and pleasant resonance is called 'Nada'. Nada is further divided into Ahata (struck/produced sound) and Anahata (unstruck/internal sound).
2How many microtonal intervals (Shrutis) are traditionally recognized within one octave (Saptak) in Indian music?
A.7
B.12
C.22
D.66
Explanation: Traditional Indian music treatises, including Bharata's Natya Shastra and Sarangadeva's Sangeet Ratnakara, establish 22 Shrutis (microtonal divisions) per Saptak (octave).
3Which register in Indian classical music refers to notes sung or played in the middle pitch octave?
A.Mandra Saptak
B.Madhya Saptak
C.Taar Saptak
D.Ati-Taar Saptak
Explanation: Madhya Saptak refers to the middle register or middle octave, which forms the baseline singing and performing register for musicians.
4How many total notes (Shuddha + Vikrit) exist in one octave of Hindustani music?
A.7
B.10
C.12
D.16
Explanation: One octave consists of 12 notes: 7 Shuddha (natural) swaras, 4 Komal (flat) swaras (Re, Ga, Dha, Ni), and 1 Teevra (sharp) swara (Ma).
5Which two swaras are called Achala Swaras (immovable notes) because they never change pitch?
A.Re and Dha
B.Ga and Ni
C.Sa and Pa
D.Ma and Pa
Explanation: Shadja (Sa) and Pancham (Pa) are Achala Swaras; they do not have Komal or Teevra forms and remain constant in pitch.
6Which swara is the only note in Hindustani music that can take a Teevra (sharp) form?
A.Rishabh (Re)
B.Gandhar (Ga)
C.Madhyam (Ma)
D.Nishad (Ni)
Explanation: Madhyam (Ma) is the only note that can take a Teevra (raised/sharp) form (Teevra Ma, denoted as M' or M|). Re, Ga, Dha, and Ni take Komal (flat) forms.
7What is a sequential embellishment or decorative note pattern called in Indian music theory?
A.Alankar
B.Vibhag
C.Avartan
D.Theka
Explanation: Alankar (or Palta) refers to structured, sequential permutation patterns of swaras (e.g., SaReGa, ReGaMa, GaMaPa) used to train the voice or instruments.
8How many main types of Varna (melodic movement) are defined in ancient Indian musicology?
A.2
B.4
C.7
D.10
Explanation: There are 4 Varnas: Sthayi Varna (staying on one note), Arohi Varna (ascending notes), Avarohi Varna (descending notes), and Sanchari Varna (mixed/wandering melodic movement).
9What does Laya mean in Indian music?
A.Pitch of a note
B.Tempo or speed of rhythm
C.Microtonal interval
D.Emotional mood of a raga
Explanation: Laya represents the steady tempo, speed, or rhythm of musical time. It is categorized into Vilambit (slow), Madhya (medium), and Drut (fast).
10Which speed category corresponds to Vilambit Laya?
A.Fast tempo
B.Medium tempo
C.Slow tempo
D.Double tempo
Explanation: Vilambit Laya signifies a slow, relaxed tempo, typically used during the detailed elaboration (Alap, Bada Khayal) of a raga.

About the ASSEB HSLC Class 10 Elective Music Exam

The ASSEB Class 10 Elective Music examination assesses fundamental knowledge of Indian Music (Hindustani and Carnatic concepts), melodic and rhythmic structures (Swara, Saptak, Shruti, Raga, Tala, Layakari), classification of musical instruments (Tata, Sushira, Avanaddha, Ghana), and the rich heritage of traditional Assamese music. Special focus is given to Borgeet composed by Srimanta Sankardev and Sri Sri Madhavdev, Ojapali traditions (Suknanni and Byaas Ojapali), seasonal Bihu melodies and indigenous instruments (Dhol, Pepa, Gogona, Xutuli, Khol, Bortal), Tokari Geet, Lokageet, and Zikir-Zari composed by Ajan Fakir. This 100-question practice bank provides comprehensive practice with step-by-step rationale for each option choice.

Assessment

The ASSEB Class 10 Elective Music examination consists of a written theoretical paper (70 marks) and a practical examination (30 marks). The theoretical paper evaluates knowledge of Indian Classical Music, notation, Raga and Tala structures, instrument classification, and the traditional music of Assam.

Time Limit

3 hours (Theory Examination)

Passing Score

30% qualifying mark in overall subject score.

Exam Fee

Included in standard ASSEB HSLC registration fees. (Assam State School Education Board (ASSEB))

ASSEB HSLC Class 10 Elective Music Exam Content Outline

20%

Fundamentals of Indian Music

Nada (Ahata/Anahata), Shruti, Shuddha and Vikrit Swara, Saptak (Mandra, Madhya, Taar), Alankar, Varna, Laya, and acoustic concepts.

25%

Raga & Hindustani/Carnatic Systems

Thaat/Mela classification, Audav/Shadav/Sampurna Jatis, Vadi/Samvadi/Anuvadi/Vivadi Swaras, Aroha/Avaroha, Pakad, Time Theory of Ragas, and prescribed Ragas (Bhupali, Yaman, Kafi, Khamaj, Bhairav).

20%

Tala & Rhythm Systems

Matra, Vibhag, Sam, Tali, Khali, Avartan, Theka, prescribed Talas (Teental, Dadra, Keharwa, Jhaptal, Ektaal, Chautaal, Rupak), and Layakari (Thah, Dugun, Tigun, Chaugun).

15%

Musical Instruments

Fourfold organological classification (Tata, Sushira, Avanaddha, Ghana), structural characteristics, and classical/folk instruments of India and Assam.

20%

Traditional Music of Assam

Borgeet of Sankardev and Madhavdev, Ojapali traditions (Suknanni and Byaas), Bihu songs and instruments (Dhol, Pepa, Gogona, Xutuli), Tokari Geet, and Zikir/Zari of Ajan Fakir.

How to Pass the ASSEB HSLC Class 10 Elective Music Exam

What You Need to Know

  • Passing score: 30% qualifying mark in overall subject score.
  • Assessment: The ASSEB Class 10 Elective Music examination consists of a written theoretical paper (70 marks) and a practical examination (30 marks). The theoretical paper evaluates knowledge of Indian Classical Music, notation, Raga and Tala structures, instrument classification, and the traditional music of Assam.
  • Time limit: 3 hours (Theory Examination)
  • Exam fee: Included in standard ASSEB HSLC registration fees.

Keys to Passing

  • Complete 500+ practice questions
  • Score 80%+ consistently before scheduling
  • Focus on highest-weighted sections
  • Use our AI tutor for tough concepts

ASSEB HSLC Class 10 Elective Music Study Tips from Top Performers

1Memorize the Matra count, Vibhag division, Tali (claps), and Khali (waves) for all prescribed Talas.
2Understand the distinction between Shuddha (natural), Komal (flat), and Teevra (sharp) Swaras in Hindustani music.
3Study the unique characteristics of Borgeet, including its specific Raga-Tala framework without Kharja (fixed drone) dependence and spiritual devotion to Lord Krishna.
4Learn the fourfold organological classification of musical instruments (Tata, Sushira, Avanaddha, Ghana) and identify Assamese folk instruments within each category.
5Practice notation writing for Aroha, Avaroha, Pakad, and Swaravistar of prescribed ragas like Bhupali, Yaman, Kafi, and Bhairav.
6Distinguish between Suknanni Ojapali (dedicated to Manasa Devi worship) and Byaas Ojapali (epic narrations from Mahabharata/Ramayana).

Frequently Asked Questions

What is the breakdown of marks in the ASSEB Class 10 Elective Music examination?

The examination comprises 70 marks for the written theory paper and 30 marks for the practical examination, totaling 100 marks.

What topics are covered in the Traditional Music of Assam section?

The section covers Borgeet (sacred songs of Sankardev and Madhavdev), Ojapali (Suknanni and Byaas traditions), seasonal Bihu songs and folk instruments (Dhol, Pepa, Gogona, Xutuli, Khol, Bortal), Tokari Geet, and Zikir/Zari of Ajan Fakir.

How are Ragas classified in the ASSEB Class 10 syllabus?

Ragas are classified by Thaat (parent scale), Jati (Audav - 5 swaras, Shadav - 6 swaras, Sampurna - 7 swaras), Vadi and Samvadi notes, and Time of Singing (Prahara system).

What are the key Talas included in the Class 10 Elective Music syllabus?

Key Talas include Teental (16 matras), Dadra (6 matras), Keharwa (8 matras), Jhaptal (10 matras), Ektaal (12 matras), Chautaal (12 matras), and Rupak (7 matras).

Are these practice questions official ASSEB exam items?

No. These are original practice questions crafted by OpenExamPrep aligned specifically to the ASSEB HSLC Class 10 Elective Music syllabus and textbook standards.