All Practice Exams

100+ Free ASSEB HS Skill Sattriya Vocal Music (Borgeet) Practice Questions

Prepare for the Assam ASSEB Higher Secondary Skill Subject Sattriya Vocal Music (Borgeet) exam with instant access — no signup required.

✓ No registration✓ No credit card✓ No hidden fees✓ Start practicing immediately
100+ Questions
100% Free

Loading practice questions...

2026 Statistics

Key Facts: ASSEB HS Skill Sattriya Vocal Music (Borgeet) Exam

15th-16th Century

Era when Srimanta Sankaradeva and Madhavadeva created Borgeet

Sattriya Musicology & AHSEC Syllabus

Brajavali

Artificial literary language used in Borgeet compositions

Assamese Literature & Cultural History

Khol & Taal

Primary musical instruments accompanying Borgeet singing

Sattriya Performance Tradition

100 MCQs

Practice questions covering theoretical syllabus for ASSEB exam

OpenExamPrep Study Adaptation

Assam ASSEB HS Skill Subject Sattriya Vocal Music (Borgeet) tests Class 11 and 12 students on the devotional musicology of Srimanta Sankaradeva and Madhavadeva, classical Sattriya ragas, talas, singing techniques, and literary themes.

Sample ASSEB HS Skill Sattriya Vocal Music (Borgeet) Practice Questions

Try these sample questions to test your ASSEB HS Skill Sattriya Vocal Music (Borgeet) exam readiness. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1Who was the saint-reformer and polymath who introduced the classical devotional song form known as Borgeet in 15th-century Assam?
A.Mahapurush Srimanta Sankaradeva
B.Madhav Kandali
C.Ananta Kandali
D.Ramsaraswati
Explanation: Srimanta Sankaradeva (1449–1568) was the saint-reformer, poet, playwright, and musician who introduced Borgeet as part of the Neo-Vaishnavite Ekasarana Dharma movement in Assam.
2Who was the chief disciple of Srimanta Sankaradeva who extensively composed Borgeets following his guru's tradition?
A.Sri Sri Madhavadeva
B.Damodaradeva
C.Haridev
D.Vamsigopaladeva
Explanation: Sri Sri Madhavadeva (1489–1596) was the favorite disciple and spiritual successor of Sankaradeva, who authored numerous Borgeets focusing on child Krishna (Vatsalya) and devotion (Dasya).
3In which century were Borgeet compositions first created in Assam?
A.12th Century CE
B.15th-16th Century CE
C.18th Century CE
D.10th Century CE
Explanation: Borgeets originated during the 15th and 16th centuries CE during the height of the Neo-Vaishnavite Bhakti movement initiated by Srimanta Sankaradeva.
4According to traditional Assamese Vaishnava hagiographies (Charit-puthis), where did Sankaradeva compose his very first Borgeet 'Re Mana Maju Na Bhaja Charana'?
A.Barpeta Sattra
B.Badrikashram
C.Majuli Kamalabari Sattra
D.Patbausi Sattra
Explanation: Sankaradeva composed his first Borgeet 'Re Mana Maju Na Bhaja Charana' at Badrikashram during his first pilgrimage across Northern India.
5Which of the following is traditionally recognized as the first Borgeet composed by Mahapurush Srimanta Sankaradeva?
A.Alo Bhai Ahe Mai Kene Khedi Gol
B.Re Mana Maju Na Bhaja Charana
C.Gokula Vula Keho Naye
D.Pawe Pari Hari Pada Pankaje
Explanation: 'Re Mana Maju Na Bhaja Charana' (also rendered 'Mana Meri Rama Charana Hi Lagu') in Raga Dhanashri is traditionally held as Sankaradeva's first Borgeet composition.
6Which sacred institutions serve as the primary traditional centers for learning, preserving, and performing Sattriya Vocal Music (Borgeet) in Assam?
A.Sattras and Namghars
B.Royal Ahom Palaces
C.Tantric Piths
D.Vedic Gurukuls
Explanation: Sattras (monasteries) and Namghars (prayer halls) founded during the Neo-Vaishnavite movement are the living centers for preserving Sattriya music and Borgeet.
7What is the literal translation of the term 'Borgeet' in Assamese cultural musicology?
A.Popular Songs
B.Great / Noble Songs
C.Folk Ballads
D.Court Anthems
Explanation: The word 'Bor' means great or noble, and 'Geet' means song. Thus 'Borgeet' translates to 'Great Songs' or 'Noble Devotional Songs'.
8According to traditional accounts, how many Borgeets composed by Sankaradeva survived after a devastating fire destroyed his manuscript collection at Banduka?
A.34
B.240
C.191
D.108
Explanation: Legend holds that Sankaradeva composed 240 Borgeets, but most were destroyed in a fire at Banduka (or Ganakkuchi); only 34 songs preserved by memory or copies survived.
9What event historically led to the loss of a vast majority of Srimanta Sankaradeva's original Borgeet compositions?
A.A devastating accidental fire at Banduka / Ganakkuchi
B.Invasion by foreign armies
C.Flooding of the Brahmaputra
D.Royal suppression by Ahom kings
Explanation: Traditional accounts record that Kamala Gayan's house at Banduka (or Ganakkuchi) caught fire, destroying the master manuscript containing 240 of Sankaradeva's songs.
10Approximately how many total Borgeets composed by Sri Sri Madhavadeva are preserved in the traditional Sattriya canon?
A.191
B.34
C.500
D.12
Explanation: Madhavadeva composed extensively, and around 191 of his Borgeets have been preserved and handed down through Sattra traditions.

About the ASSEB HS Skill Sattriya Vocal Music (Borgeet) Exam

Assam ASSEB Higher Secondary Skill Subject Sattriya Vocal Music (Borgeet) is an elective vocational and skill course offered to Class 11 and Class 12 students under the Assam State School Education Board (formerly AHSEC). This question bank provides an English-language study adaptation for Borgeet vocal music theory, ragas, talas, notation, and devotional composition history created by Mahapurush Srimanta Sankaradeva and Sri Sri Madhavadeva in 15th-16th century Assam.

Questions

100 scored questions

Time Limit

180 minutes

Passing Score

30% aggregate in theory and practical components

Exam Fee

Standard ASSEB Board Examination Fee (Assam State School Education Board (ASSEB / AHSEC))

ASSEB HS Skill Sattriya Vocal Music (Borgeet) Exam Content Outline

~25%

Origin & History of Borgeet / Srimanta Sankaradeva & Madhavadeva Compositions

Historical context of 15th-16th century Bhakti movement in Assam, devotional song composition by Sankaradeva and Madhavadeva, preservation history in Sattras, and Ekasarana Dharma.

~20%

Raga System in Borgeet

Characteristics of Sattriya classical ragas (Ahir, Kou, Kalyan, Asowari, Suhai, Gauri, Dhanashri), time-of-day singing rules, and distinct melodic structures.

~20%

Tala & Rhythm Patterns

Rhythmic frameworks (Ekthala, Parithala, Chutithala, Thookani, Yati, Kharman) and performance dynamics with traditional instruments (Khol, Bortaal, Pati-taal).

~18%

Notation, Singing Style & Voice Culture

Vocal prelude (Alap / Raga-Diya / Anka), structural division (Dhuwa and Pada), Sattriya vocal embellishments (ola-dola, meend, gamaka), and voice maintenance.

~17%

Literary Themes, Rasa & Sattriya Musicology

Brajavali poetic language, Bhakti rasas (Dasya, Vatsalya, Santa), devotional themes of Krishna-lila, and foundational Sattriya musicological principles.

How to Pass the ASSEB HS Skill Sattriya Vocal Music (Borgeet) Exam

What You Need to Know

  • Passing score: 30% aggregate in theory and practical components
  • Exam length: 100 questions
  • Time limit: 180 minutes
  • Exam fee: Standard ASSEB Board Examination Fee

Keys to Passing

  • Complete 500+ practice questions
  • Score 80%+ consistently before scheduling
  • Focus on highest-weighted sections
  • Use our AI tutor for tough concepts

ASSEB HS Skill Sattriya Vocal Music (Borgeet) Study Tips from Top Performers

1Categorize ragas by their traditional time of performance (morning, afternoon, evening) and memorize the characteristic notes (swara) of Ahir, Kou, Kalyan, and Asowari.
2Practice counting the matras (beats) and division accents of major Sattriya talas such as Ekthala (12 beats), Parithala (14 beats), and Chutithala (8 beats).
3Distinguish clearly between the compositions of Srimanta Sankaradeva (often focused on Krishna's majesty, creation, and universal devotion) and Sri Sri Madhavadeva (often focused on child Krishna / Vatsalya rasa and intense servitude / Dasya rasa).
4Understand the structural components of Borgeet performance, specifically how the free-form Alap transitions into the rhythmic Dhuwa and subsequent Pada verses.
5Review the linguistic characteristics of Brajavali and the key devotional rasas (Santa, Dasya, Vatsalya) that form the emotional foundation of Sattriya musicology.

Frequently Asked Questions

What is the ASSEB Higher Secondary Skill Subject Sattriya Vocal Music (Borgeet) exam?

It is an elective skill subject offered by the Assam State School Education Board (ASSEB / AHSEC) for Higher Secondary (Class 11 and 12) students in Assam. The syllabus covers the theoretical musicology, history, ragas, talas, and performance practices of classical Sattriya Borgeet compositions.

What are Borgeets and who composed them?

Borgeets (literally 'Great Songs') are classical devotional songs written in the 15th and 16th centuries CE by the saint-reformer Mahapurush Srimanta Sankaradeva and his premier disciple Mahapurush Sri Sri Madhavadeva. They form the musical backbone of the Neo-Vaishnavite Sattriya tradition in Assam.

Why are these practice questions presented in English?

While traditional Borgeet texts are in Brajavali and taught in Assamese or English medium schools in Assam, these practice questions serve as an English-language study adaptation to help students revise theoretical musicology, ragas, rhythm cycles, and historical concepts for board assessments.

Which instruments accompany Sattriya Vocal Music (Borgeet)?

Borgeets are traditionally accompanied by the Khol (an asymmetric two-headed drum made of wood or baked clay) and cymbals such as Bortaal (large cymbals) or Pati-taal (small cymbals). Melodic instruments like the wooden flute or violin may also be used in modern renditions.

What is the structural composition of a Borgeet performance?

A traditional Borgeet recital begins with an unmeasured, non-rhythmic vocal elaboration called Alap (or Raga-Diya / Anka), followed by the rhythmic singing of the song consisting of the Dhuwa (the repeating refrain) and Pada (the rhyming stanzas).