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Free Practice Questions for Galicia PAU Artistic Drawing II / Dibujo Artístico II CIUG

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Key Facts: Galicia PAU Artistic Drawing II / Dibujo Artístico II CIUG Exam

90 min

Exam time limit (1.5 hours)

CIUG PAU Guidelines

0–10

Grading scale

CIUG Evaluation Criteria

4.0

Minimum Access Phase mark required

Spanish University Access Regulations

63.67 €

Ordinary registration fee

CIUG Official Fees

100

Practice questions in this OpenExamPrep bank

OpenExamPrep

Galicia PAU Artistic Drawing II (CIUG 2026) is a 90-minute examination evaluating 2º Bachillerato drawing competencies across 5 core domain areas under LOMLOE academic standards.

Sample Galicia PAU Artistic Drawing II / Dibujo Artístico II CIUG Practice Questions

Try these sample questions to review concepts for the Galicia PAU Artistic Drawing II / Dibujo Artístico II CIUG exam. Each question includes a detailed explanation. Start the interactive quiz above for the full 100+ question experience with AI tutoring.

1Which Gestalt perceptual law explains the viewer's mental tendency to bridge gaps in an incomplete outline, perceiving a closed geometric shape despite missing line segments?
A.Law of Closure (Ley de Cierre)
B.Law of Proximity (Ley de Proximidad)
C.Law of Similarity (Ley de Semejanza)
D.Law of Continuity (Ley de Continuidad)
Explanation: The Gestalt Law of Closure states that the human visual system automatically completes discontinuous or broken contours to perceive a unified, closed shape. Artists utilize this perceptual mechanism to create minimalist line drawings where the viewer's brain supplies missing structural information.
2In graphic representation, what occurs when the contour separating a subject from its surrounding space can be interpreted as belonging to either region alternately?
A.Reversible figure-ground ambiguity
B.Linear perspective distortion
C.Chiaroscuro tonal saturation
D.Anamorphic spatial projection
Explanation: Figure-ground reversal occurs when positive form and negative space share an ambiguous contour with equivalent visual weight. In drawing, this perceptual phenomenon prevents a single static interpretation, forcing the viewer's brain to alternate between reading the shape as positive figure or background.
3Which perceptual principle causes the human eye to group graphic marks that lie along a smooth vector, establishing visual reading direction across a complex drawing?
A.Law of Continuity (Ley de Continuidad)
B.Law of Symmetry (Ley de Simetría)
C.Law of Common Fate (Ley de Destino Común)
D.Law of Contrast (Ley de Contraste)
Explanation: The Law of Continuity dictates that visual perception prefers smooth, continuous directional lines over sharp directional changes. Artists use continuous directional axes to guide the viewer's gaze fluidly across different compositional areas in a drawing.
4When a draftsman draws multiple fine parallel lines clustered tightly together, why does the eye perceive them as a unified tonal value rather than isolated single lines?
A.Law of Proximity (Ley de Proximidad)
B.Law of Isomorphism (Ley de Isomorfismo)
C.Law of Transposition (Ley de Transposición)
D.Law of Prägnanz (Ley de la Buena Forma)
Explanation: The Law of Proximity states that visual elements situated close to one another are perceived as a coherent group or single optical unit. In hatching techniques, tight spatial proximity causes individual linear marks to visually fuse into a continuous tonal mass.
5How does the Gestalt Law of Similarity influence graphic rhythm in an artistic drawing containing mixed marks?
A.It unites elements with similar shape, size, or texture into a distinct visual pattern
B.It forces all elements to convert into identical geometric shapes
C.It eliminates negative space between contrasting drawing media
D.It locks the viewer's gaze permanently onto the geometric center
Explanation: The Law of Similarity dictates that visual elements sharing similar attributes (such as shape, scale, value, or stroke quality) are automatically linked by the viewer's eye. This creates visual rhythm, pattern recognition, and unity across diverse parts of an artwork.
6What distinguishes a structural line (línea estructural) from an outer contour line (línea de contorno) in artistic drawing?
A.Structural lines define internal axes, alignment grids, and volume skeletons; contour lines define visible outer edges
B.Structural lines are painted with wet ink; contour lines are rendered exclusively with soft charcoal
C.Structural lines represent cast shadows; contour lines indicate direct light source positions
D.Structural lines are erased immediately; contour lines must remain permanently visible
Explanation: Structural lines form the underlying geometric framework, centerlines, and proportion axes that organize a subject's volumetric structure. Contour lines, by contrast, delineate the visible outer boundaries where forms meet surrounding space.
7What is the primary function of cross-contour lines (líneas de tramas envolventes) in linear drawing?
A.To travel across form surfaces, defining 3D topography and curvature without relying on shading
B.To outline the outer perimeter of a flat two-dimensional silhouette
C.To project vanishing points onto the horizon line in linear perspective
D.To create atmospheric blur along background mountain ranges
Explanation: Cross-contour lines wrap around the three-dimensional surface of a form like topographic elevation contours. By tracking the surface curvature, they communicate spatial volume, depth, and undulating form using pure line work.
8What is the main objective of rapid gesture drawing (apunte rápido / dibujo de gesto) in live figure studies?
A.To capture the underlying movement, rhythm, and dynamic pose posture within seconds
B.To execute meticulous anatomical shading using fine cross-hatching
C.To calculate exact architectural measurements with a T-square and ruler
D.To render permanent waterproof ink outlines for commercial printing
Explanation: Gesture drawing focuses on capturing the essential kinetic energy, spine axis, and overall posture of a subject in a short period. It prioritizes overall movement and expression over detailed surface rendering or precise measurement.
9In graphic theory, what happens to a drawing as its degree of iconicity (grado de iconicidad) decreases?
A.The representation shifts from realistic verisimilitude toward essential graphic abstraction
B.The drawing becomes increasingly detailed and photorealistic
C.The physical weight of the paper support increases significantly
D.The color palette transforms strictly into monochromatic sepia tones
Explanation: Iconicity measures the degree of structural resemblance between a visual representation and its real-world object. High iconicity corresponds to realistic or photorealistic drawing, whereas decreasing iconicity signifies graphic synthesis, simplification, and abstraction.
10How does a visual symbol (símbolo) differ from a direct graphic sign (signo gráfico indicativo) in artistic communication?
A.A symbol relies on culturally learned conventions; an indicative sign holds a direct causal or physical link
B.A symbol is always drawn in charcoal; an indicative sign must be rendered in oil pastel
C.A symbol represents three-dimensional perspective; an indicative sign represents flat 2D shapes
D.A symbol is created without human intervention; an indicative sign requires academic drawing training
Explanation: In visual semiotics, an indicative sign (index) maintains a direct physical or causal connection to what it represents (such as a footprint or smoke). A symbol operates through arbitrary, socially agreed-upon cultural conventions (such as a dove representing peace).

About the Galicia PAU Artistic Drawing II / Dibujo Artístico II CIUG Exam

The Galicia PAU Artistic Drawing II examination assesses university applicants on 2º Bachillerato LOMLOE Arts curriculum competencies. Main domains evaluated include visual perception and form syntax, dry and wet drawing media procedures, human anatomical proportions and canon, linear/atmospheric perspective and chiaroscuro volume, and compositional balance and expressive languages.

Exam sponsor: Comisión Interuniversitaria de Galicia (CIUG). The requirements and fees below concern the certification or admission exam, separate from our free practice resources.

Assessment

The PAU Artistic Drawing II examination administered by the Comisión Interuniversitaria de Galicia (CIUG) consists of practical drawing and visual analysis tasks lasting 90 minutes. Students complete exercises testing graphic representation, anatomical proportions, perspective rendering, and compositional analysis. Practice items in this bank adapt CIUG tasks into a standardized 100-question multiple-choice review.

Time Limit

90 minutes (1.5 hours)

Passing Score

Marked on a 0–10 scale. Minimum 4.0 required in Access Phase to combine with Bachillerato GPA (60% Bachillerato + 40% PAU >= 5.0 to pass).

Exam / Certification Fees

EUR 63.67 ordinary registration fee for PAU (50% discount EUR 31.84 for general large family status; full exemption for special large family, disability, or terrorism victims).

Exam sponsor website

Fees, eligibility, and exam policies can change. Confirm them with the exam sponsor before applying or paying.

Our practice resources: topics covered

We aim to reflect publicly available exam outlines and topic information in our study resources. Coverage, format, and difficulty may differ from the actual exam, and we cannot guarantee that every detail is accurate or current. Confirm exam requirements, fees, and policies with the official exam sponsor.

20%

Perception, Visual Syntax & Graphic Form

Gestalt principles of visual perception (figure-ground, closure, proximity, similarity), line types (structural, contour, gesture, cross-contour), iconic abstraction, negative space, and visual synthesis.

20%

Drawing Media, Tools & Technical Procedures

Dry media (graphite grading H-B, willow/compressed charcoal, sanguine, pastels), wet media (Indian ink, wash, gouache), paper characteristics (grammage, tooth, sizing), erasers, and fixative resins.

20%

Proportion, Canon & Human Figure Anatomy

Classical canons (Polyclitus 7.5, Lysippus 8, Vitruvian man), skeletal/muscular landmarks, contrapposto balance, sight-size measuring, foreshortening, and kinetic gesture drawing.

20%

Perspective, Chiaroscuro & Volume Representation

Linear perspective systems (1, 2, 3 vanishing points, horizon line, cone of vision), atmospheric perspective, light sources, chiaroscuro zones (highlight, core shadow, cast shadow, reflected light), and sfumato.

20%

Compositional Syntax & Expressive Creative Languages

Rule of thirds, golden section (Phi), visual balance (symmetry vs asymmetry), focal points, graphic stylization, surrealist techniques (frottage, grattage, automatic drawing), and mixed graphic languages.

Preparing for the Galicia PAU Artistic Drawing II / Dibujo Artístico II CIUG Exam

What You Need to Know

  • Passing score: Marked on a 0–10 scale. Minimum 4.0 required in Access Phase to combine with Bachillerato GPA (60% Bachillerato + 40% PAU >= 5.0 to pass).
  • Assessment: The PAU Artistic Drawing II examination administered by the Comisión Interuniversitaria de Galicia (CIUG) consists of practical drawing and visual analysis tasks lasting 90 minutes. Students complete exercises testing graphic representation, anatomical proportions, perspective rendering, and compositional analysis. Practice items in this bank adapt CIUG tasks into a standardized 100-question multiple-choice review.
  • Time limit: 90 minutes (1.5 hours)
  • Exam / certification fees: EUR 63.67 ordinary registration fee for PAU (50% discount EUR 31.84 for general large family status; full exemption for special large family, disability, or terrorism victims). Official sources

Using Our Practice Resources

  • Work through all 100 available questions
  • Review every answer and explanation
  • Track weak areas and revisit them
  • Use our AI tutor for tough concepts

Galicia PAU Artistic Drawing II / Dibujo Artístico II CIUG: Suggested Study Strategy

1Master Gestalt visual laws (closure, figure-ground, proximity, similarity) and apply negative space principles to eliminate drafting distortion.
2Know the precise properties of dry drawing media (graphite grading H vs B, vine vs compressed charcoal, sanguine pigments) and paper characteristics (grammage g/m², hot/cold pressed tooth).
3Memorize human figure proportion canons (Polyclitus 7.5 heads, Lysippus 8 heads, 1/2 height eye line) and key anatomical skeletal/muscular landmarks.
4Understand linear perspective mechanics (1, 2, and 3 vanishing points, horizon line at eye level, 60-degree cone of vision) and chiaroscuro value zones (highlight, core shadow, cast shadow, reflected light).
5Analyze compositional syntax rules (rule of thirds, golden ratio Phi = 1.618, dynamic balance, focal contrast) and historical expressive techniques (Dada automatic drawing, Max Ernst's frottage and grattage).

Frequently Asked Questions

What is the Galicia PAU Artistic Drawing II exam?

It is the official university entrance examination for Artistic Drawing II (Dibujo Artístico II / Debuxo Artístico II) in Galicia, organized by the Comisión Interuniversitaria de Galicia (CIUG) for 2º Bachillerato Arts track students under the LOMLOE curriculum.

What is the duration and format of the official CIUG exam?

The official exam lasts 90 minutes (1.5 hours) and consists of graphic drawing tasks, anatomical figure drafting, perspective rendering, and visual compositional analysis.

How is the final PAU mark calculated for university admission in Galicia?

The PAU exam is graded on a 0 to 10 scale. Candidates must obtain a minimum mark of 4.0 in the Access Phase so that 40% of the PAU score combines with 60% of the Bachillerato GPA to achieve a minimum passing mark of 5.0.

In which official languages can the CIUG exam paper be taken?

Students taking the PAU examination in Galicia can request the official exam prompt in Galician (gl) or Spanish (es).