Read the following passage and answer the question.
"Photography, when it emerged in the mid-nineteenth century, was greeted by painters with a mixture of anxiety and curiosity. Some feared that the camera would render the painter's craft obsolete; others embraced photography as a new tool for capturing fleeting effects of light and movement that the hand could never match. The Impressionists, in particular, absorbed photographic influence in their interest in snapshot-like cropping, asymmetrical composition, and the rendering of transient light. Yet the relationship was never one-directional: photographers, in turn, sought to emulate the painterly qualities of soft focus, tonal richness, and staged composition that distinguished fine art from mere documentation."
The author's description of the relationship between painting and photography is best characterized as:
- AOne of unequal influence, with photography transforming painting more than painting trans…
- BMutually influential, with each medium shaping the other
- CPrimarily antagonistic, as painters resented the threat photography posed
- DLargely irrelevant to the development of Impressionism